Fitzroy Melbourne Murals for Mural Monday

 

Having learned that walking may serve not only as exercise but also as a gentle aid to muscular recovery, I resolved to take a stroll through the streets of Fitzroy—a suburb renowned for its walkability and rich artistic heritage. As I wandered amidst its laneways and thoroughfares, I passed beneath the storied murals that adorn its brick facades, each a testament to the suburb’s longstanding tradition of street art, born in the countercultural movements of the late twentieth century. These vibrant expressions seemed to echo the rhythm of my steps, weaving history and healing into every stride.

Sony A7RV

FE 20-70mm f4 G

Linking Mural Monday

Brisbane Night Ferris Wheel Long Exposure for Sunday Best

 

To undertake the task of long exposure photography amidst the throngs of Brisbane’s bustling South Bank is to court both patience and fortune. The city, vibrant and unceasing in its rhythm, seldom affords the stillness such a technique demands. Yet there, among the restless footsteps and the murmur of daily life, stands a quiet marvel — the Wheel of Brisbane — solemn, grand, and ever-turning.

Erected in 2008 to commemorate the sesquicentennial of Queensland, the Ferris wheel is no mere amusement; it is a modern monument, a gentle giant by the river’s edge, offering sweeping views and enduring symbolism. It revolves steadily, indifferent to the ceaseless passage of pedestrians below, many of whom scarcely glance upward. It is, in its way, a keeper of time — not by ticking hands, but by its own slow revolution.

To photograph such a subject using long exposure is to attempt an act of reverence. The camera, when held in stillness with the shutter drawn open, does not simply record an image — it collects time itself. Light weaves its threads across the frame, motion becomes memory, and all that is unmoving grows luminous and sharp.

Yet therein lies the challenge: the constancy of human movement. Strangers wander unbidden into the composition, their forms becoming translucent echoes — smudges of presence that both enrich and disrupt the clarity of the scene. The Wheel, by contrast, remains serene — turning, yes, but in such a measured fashion that it may appear suspended in time if one is patient and precise.

There is, in this pursuit, a certain poetry. As I adjusted my lens and steadied my breath, I began to perceive the act not merely as photography, but as a conversation between permanence and transience. The Ferris wheel — emblem of modern celebration, built upon a foundation of history — stood as the anchor. Around it, the city’s people flowed like a living river.

And in one fortunate moment — a moment gifted more by grace than by skill — the exposure yielded a quiet revelation. The wheel shone, sharp and majestic, while the crowd had melted into gentle motion, like ghosts in passing. Time, for an instant, had folded, and Brisbane had revealed its dual nature: ever-changing, yet ever the same.

Such is the beauty of capturing the ephemeral. The camera does not merely steal a moment — it elevates it. And in the luminous whirl of Brisbane’s Ferris wheel, we glimpse not only the present, but the echo of what has been and the promise of what may come.

Sony A7RV

Laowa 9mm f5.6

Linking Sunday Best

Koi in Taipei for Saturday Critter

 

A Still Pond and Gasping Koi: A Story of Life Below the Surface

In the tranquil gardens of Taipei, where the scent of orchids lingers and the air hums with the rhythm of cicadas, the pond in front of the botanic garden shimmered like glass. Beneath the surface, a mass of koi glided flashes of gold, amber, and crimson weaving between ripples and bubbles.

But there was something unusual. The koi, instead of cruising lazily through the water, clustered near the surface, mouths gaping repeatedly in what looked like gasps for air.

This wasn’t just feeding behavior. It was a silent biological cry for help.

Koi, like all fish, rely on dissolved oxygen in the water to breathe. Their gills extract oxygen molecules from the water as it passes over delicate filaments. Under normal circumstances, koi are content near the bottom or mid-layers of a pond, surfacing only occasionally to feed.

However, when oxygen levels in the water drop—especially in warm, stagnant ponds with a high density of fish—koi are forced to the surface, where oxygen is slightly more abundant due to air-water exchange. This behavior is called surface gasping, and it’s a classic sign of hypoxia—low dissolved oxygen.

Several biological and environmental factors could be at play here:

• High stocking density: A large school of koi in a confined space consumes a significant amount of oxygen, especially at night when plants and algae also switch to respiration and compete for oxygen.

• Warm temperatures: Warmer water holds less dissolved oxygen. In summer, especially in tropical or subtropical climates like Taipei's, ponds heat up quickly, reducing available oxygen even further.

• Poor circulation: Without proper aeration or water movement, oxygen does not circulate well, and the lower layers of the pond can become hypoxic or even anoxic (completely lacking oxygen).

• Water quality issues: Accumulation of waste from the koi (ammonia, nitrates) and decaying plant material can lead to eutrophication—a nutrient overload that triggers algae blooms. These blooms, when they die off, consume massive amounts of oxygen during decomposition.

Sony A7RV

FE 20-70mm f4 G

Linking Saturday Critter

I am restarting the whole 8 seasons of Brooklyn Nine-Nine. It reminds me of university years. 

Flinders Blowhole Sunset for Skywatch Friday

 

This photograph was taken last weekend. The shutter speed was set slightly slow, producing an effect I found more appealing than that of a long exposure. The sky appeared particularly dramatic, and the waves crashing against the rocks were strikingly turbulent.

Wishing everyone a joyful Easter.

I have ordered a special cake from a boutique pâtisserie — a chocolate mousse delicately enrobed in pear cream — which I look forward to sharing with my mother.

Sony A7RV

FE 70-200mm f4 G

Linking Skywatch Friday

Over the past fortnight, I have indulged in viewing all six seasons of Schitt’s Creek. At the outset, the series appeared somewhat clichéd, with a rather uninspired storyline. However, by the third season, it began to reveal a remarkable depth and charm. The romantic arc between Patrick and David, in particular, proved to be both refreshing and heartfelt. Each character was afforded the opportunity for full development, to the extent that, by the series’ conclusion, the actors and actresses felt like dear friends and cherished members of one’s own family. It was with a touch of melancholy that I bid farewell to the show as it drew to a close.

Flinders Blowhole, Mornington Peninsula for Water H2O Thursday

 

Over the weekend, Joel and I made another visit to Flinders Blowhole. We chose this destination due to its relatively short driving distance and our desire to explore a different side of the location. The outcome was satisfactory; I managed to capture several seascapes that I found quite pleasing.

With the Easter holidays approaching, the weather forecast predicts rain and storms. Joel and I had intended to go birdwatching in several nature reserves around Melbourne, but given the conditions, it is unlikely to go as planned. I may simply remain at home and follow the news from the United States.

Sony A7RV

FE 20-70mm f4 G

Linking Water H2O Thursday

After enduring a total of eight hours of travel merely to deliver a four-hour lecture, the return journey to Melbourne proved even more exhausting, not least due to an unsettling encounter on the road. I became the target of a distressing incident of road rage: a truck followed me closely for approximately one-third of the journey, only to overtake me abruptly and then proceed to slow down significantly, seemingly with the intent of making my drive as uncomfortable as possible. One is left to wonder—what has become of civility among people?

Lego Museum Signs for Sign2

 

These are signs on some of the Lego Displays in Lego show at Exhibition Centre in Melbourne. Sometimes a good visit to indoor location is very worthwhile

Sony A7RV

FE 20-70mm f4 G

Linking Sign2

I have recently taken up the practice of Tai Chi, primarily in pursuit of improved health and gentle exercise that minimizes the risk of injury. Though I have never subscribed to the traditional notion of "qi," I must admit that, after merely three weeks, I have begun to notice a welcome firmness in my muscles.

This morning, I am preparing to deliver yet another guest lecture on the subjects of osteoporosis and sarcopenia. Amusingly, it seems I must first reacquaint myself with the most recent peer-reviewed journals to refresh my memory on the latest findings.

More Sanxia Shrine from Taipei for Treasure Tuesday

 

The abundance of carvings and ornate details within this shrine is truly astounding. Every corner is adorned with oriental artistry, rich in history and narrative. The tales of the Three Pure Ones in Taoism echo the complexity of Greek mythology, filled with themes of human nature—betrayal, intrigue, and divine powers. Were it not for my interest in photography, I might have passed by the shrine without so much as a second glance.

Sony A7RV

FE 20-70mm f4 G

Linking to Treasure Tuesday

Taipei Mural for Mural Monday

 

I came upon a charming mural near the entrance of a night market in Shulin, Taipei. I arrived too early, before the market had come to life, and so, with little else to do, I captured a photograph of the mural before continuing on my way.

Sony A7RV

FE 20-70mm f4 G

Linking Mural Monday

When I was in high school, my English teacher held a peculiar aversion to the word senseless, deeming it wholly nonsensical. She would penalise me on several occasions merely for employing the term, as though it were a kind of linguistic taboo in her classroom. At the time, I understood senseless to signify a state of numbness or insensibility. Yet now, in contemporary media, one frequently encounters the word used to describe acts of violence and tragedy — "senseless crimes" and "senseless deaths" abound in the headlines. I cannot help but wonder whether the language has shifted with the passage of time.

Wisteria in Taipei for Sunday Best

 

It is presently autumn in Australia, whilst spring has arrived in Taipei. This wisteria garden is of considerable size, and many visitors gather here to behold and inhale the delicate blossoms of the wisteria.

I take great pleasure in its fragrance.

Sony A7RV

FE 20-70mm f4 G

Linking Sunday Best

Joel and I await with great interest the forthcoming 50–150mm f/2.0 zoom lens from Sony, which is expected to retail for approximately 8,000 AUD owing to import tariffs. It is difficult to fathom that the successor to my current model, the A7R V—anticipated for release later this year—might approach a price of 20,000 AUD. Such figures are extraordinary, particularly for what remains, for us, a mere hobby.

Capybaras for Saturday Critter

 

While visiting a local street eatery, I happened upon an unexpected sight—a capybara calmly ambling about near the premises. The scene drew the attention of several onlookers, particularly groups of high school students, who appeared both amused and enthralled by the animal’s tranquil presence. It has become increasingly evident that the capybara, once relatively unknown outside its native South America, has now garnered considerable popularity among younger generations, especially teenagers, as an object of fascination and affection.

Capybaras, native to regions such as Brazil, Venezuela, and Colombia, are the world’s largest living rodents. Renowned for their sociable temperament, they have been affectionately dubbed “nature’s chilliest animal.” Their mild disposition and unique, endearing appearance have contributed significantly to their growing global appeal. In urban environments, particularly in East Asia, the capybara has transcended its role as a mere zoo attraction to become something of a cultural phenomenon.

Notably, there has been a rise in the export of capybaras to countries such as Taiwan, where the animal has found a new home in both private collections and public parks. Taiwanese zoos and animal cafes have introduced capybaras as a way to engage younger audiences, resulting in a surge of interest and visits. Their peaceful nature makes them well-suited to interactive environments, and their compatibility with humans and other animals alike only enhances their appeal.

This quiet boom in capybara popularity reflects broader trends in the human-animal relationship: a desire for companionship, curiosity, and a deeper connection to the natural world. Once seen only in the wetlands of South America, the capybara has now waddled into the hearts of people across continents—becoming not merely an exotic animal, but a gentle ambassador of calm in our often-chaotic modern lives.

Sony A7RV

FE 20-70mm f4 G

Linking Saturday Critter

Kilcunda Trestle Bridge Gippsland for Skywatch Friday

 

This weekend, Joel has expressed a desire to return to the Kilcunda coastline, a place rich in both natural beauty and historical significance. I believe we may seize the opportunity to venture further into the deeper reaches of the sea during low tide, perhaps uncovering aspects of the shoreline previously unexplored.

It is worth noting that Kilcunda is home to the iconic Trestle Bridge, a striking relic of Australia’s early railway era. Constructed in the early 20th century as part of the Wonthaggi railway line, the bridge once served as a vital artery for coal transport, linking the thriving mining town of Wonthaggi to Melbourne. Though no longer in service, the structure remains a testament to the region's industrious past, standing proudly above the Bass Coast as a reminder of Gippsland’s role in shaping Victoria’s economic history.

In returning, we not only revisit a beloved coastal spot but also walk in the shadow of history itself.

Sony A7RV

Sigma 14-24mm f2.8

Linking Skywatch Friday

Flinders Blowhole seascape for Water H2O Thursday

 

I didn’t do much last weekend. This is an older photograph taken at Flinders Blowhole—I particularly like the way the water splashes onto the rocks.

I’ve resumed intermittent fasting in an effort to shed the extra weight I gained while in Taiwan. Work has been quite demanding. To make matters more difficult, I’ve received the unfortunate news that I will once again be losing my capable receptionist. It appears to be a recurring pattern within the corporate structure to dismiss competent staff within a two-year timeframe. One has to wonder—when things are functioning well, why is there a need to remove those who contribute positively?

Sony A7RV

FE 20-70mm f4 G

Linking Water H2O Thursday

Swanston St Melbourne Signs for Sign2

 

Some of the signs on Swanston St are rather bombastic. Interestingly, most patrons were often a mixed crowd too. 

Sony A7RV

FE 20-70mm f4 G

Linking Sign2

Abandoned Papermill Factory in Fairfield, Melbourne for Treasure Tuesday

 

The Rise and Fall of the Fairfield Paper Mill: A Forgotten Industrial Giant in Melbourne

Situated in the northeastern suburb of Alphington—often associated with Fairfield—the abandoned paper mill stands as a silent monument to Melbourne’s industrial past. Officially known as the Alphington Paper Mill, this sprawling site once played a crucial role in Australia’s paper manufacturing industry. From its establishment in the early 20th century to its eventual decline and transformation, the paper mill reflects both the city’s economic evolution and the changing values of urban development.

Foundations of Industry

The origins of the Alphington Paper Mill date back to August 1918, when Australian Paper Manufacturers (APM) acquired a tract of land known as “Woodlands” in Alphington. Over the next two years, approximately 1.2 million bricks were laid to construct the facility, and in 1921, the mill officially opened its doors. It quickly became a centerpiece of industrial productivity, marking a new chapter in Australia’s ability to produce paper on a large scale.

The facility saw significant expansion in the 1930s. Notable developments included the installation of a 15-ton turbogenerator in 1932, which provided much-needed power to support growing operations. Additional investments in 1937 further solidified the mill’s position as a leader in Australian manufacturing. A particularly distinctive architectural addition came in 1954 with the construction of the Boiler House, designed by Mussen, Mackay, and Potter. Its curtain wall design was among the first of its kind in Melbourne, symbolizing a new era of modern industrial architecture.

Operations and Community Impact

The paper mill’s influence extended far beyond its towering structures. A dedicated railway siding—known as the APM Siding—was established in 1919, connecting the mill to regional and national rail networks. Coal was delivered daily to fuel the facility’s massive boilers, and finished paper products were efficiently shipped out, supporting industries and consumers across the country.

For decades, the mill provided stable employment for hundreds of local residents, embedding itself into the economic and social fabric of the Alphington and Fairfield communities. Families grew up around the hum of the mill’s machines, and its presence shaped the daily rhythms of life in the area.

Closure and Redevelopment

However, the new millennium brought with it winds of change. In 2008, Amcor—APM’s successor—announced plans to close the mill as part of a strategy to consolidate manufacturing operations in Sydney. The announcement marked the end of an era and signaled a significant loss for the local workforce, with around 90 employees affected by the closure.

Paper and board production ceased by 2012, and in 2013, the site was sold to a consortium of developers. Plans were set in motion to transform the disused industrial complex into a vibrant residential and commercial precinct. Today, the redevelopment envisions a mix of housing, shops, office spaces, and community facilities—an urban village rising from the mill’s industrial bones.

Heritage, Memory, and the Future

Despite its cultural and architectural significance, the Fairfield Paper Mill has not been immune to the pressures of modern development. Heritage advocates pushed to preserve structures like the Boiler House, but in 2017, the decision was made not to grant it official protection. The building was ultimately demolished, making way for new construction.

Still, the legacy of the Alphington Paper Mill lives on. For older residents, it remains a symbol of Melbourne’s industrious past. For newer generations, it serves as a case study in the balance between preservation and progress. While the physical remnants of the mill may have faded, its story continues to shape the character of the community and the land it once occupied.

Sony A7RV

FE 14mm f1.8 GM

Linking Treasure Tuesday

Mural at an abandoned beach resort

 

The once grand mosaic mural, now decayed and abandoned, was, I believe, a vast composition depicting various landmarks of Taipei.

Sony A7RV

FE 20-70mm f4 G

Linking Mural Monday

I have returned to diligently addressing the backlog of delayed referrals from last week, and the effort is certainly taking its toll. Over the weekend, Joel was unable to join the planned trip to Pinnacles, having discovered at the last moment that he had a prior commitment to a family dinner. In his absence, I devoted my time to attending to a rather tedious volume of paperwork.

Shifen Waterfall, Taipei for Sunday Best

 

Shifen Waterfall is indeed a breathtaking spot! The walk to the area, surrounded by lush greenery, makes the journey just as enjoyable as the destination. The vibrant nature enhances the experience, creating a serene and refreshing atmosphere.

Sony A7RV

FE 20-70mm f4 G

Linking Sunday Best

Buffalo in QingTianGang for Saturday Critter

 

Buffalo have been introduced to the region to provide tourists with subjects for photography. However, their presence results in an unpleasant odor in the surrounding area.

Sony A7RV

FE 20-70mm f4 G

Saturday Critter

I must express my gratitude to the Snow White remake. My mother has never been inclined to follow the news. However, in recent times, she has found great amusement in the widespread criticism and controversy surrounding the film on YouTube.

Pulpit Rock twilight for Skywatch Friday

 

This is the perspective I prefer to reach, as the view aligns with the principles of classic photography in terms of composition.

I eagerly anticipate joining Joel for a trip to Pinnacles this weekend, where I hope to capture stunning sunset shots once more.

Sony A7RV

FE 20-70mm f4 G

Linking Skywatch Friday

Laomei green moss beach, Taipei for Water H2O Thursday

 

In the later days of spring, the Laomei Shimen Green Moss Coast in northern Taiwan is said to be transformed into a breathtaking spectacle, as a lush emerald carpet of moss blankets the entire shoreline, resembling a masterpiece of nature’s artistry. Alas, during my brief visit, I was unable to witness this enchanting scene.

Sony A7RV

FE 20-70mm f4 G

Linking Water H2O Thursday

Taipei Street Joints for Sign2

 

Wagu Teppanyaki 

Kyoto Matcha Yoghurt ice-cream 

Korean BBQ joint

Tempura hot pot 

Taiwan was under Japanese occupation for over fifty years, and as a result, much of what I observe in its streets and shops consists of direct franchises from Japan. Historically, one might expect the Taiwanese to harbor resentment toward Japan for its colonial rule over the island, particularly in light of the Sino-Japanese War, during which millions of Chinese lives were lost in a single day. Yet, paradoxically, the majority of the population today embraces Japanese popular culture with great enthusiasm, admiring everything from its cuisine and fashion to its history. In many respects, the island bears the unmistakable imprint of a Japanese state.

Sony A7RV

FE 20-70mm f4 G

Linking Sign2