Crepidotus, Panellus and Mycena epipterygia for Sunday Best

 

During a recent exploration, Joel and I encountered several intriguing fungi, which we subsequently identified with the aid of an AI tool. Among them were species from the genera Crepidotus, Panellus, and Mycena, specifically the elegant Mycena epipterygia. We were both deeply captivated by their delicate forms and the quiet grace with which they adorned their natural woodland habitat.

The genus Crepidotus is known for its fan-shaped fruiting bodies that typically grow on decaying wood. These saprophytic fungi contribute to the vital process of decomposition in forest ecosystems, breaking down organic matter and returning nutrients to the soil. Their name, derived from the Greek krepis (sandal), refers to their characteristic shape.

Panellus, another genus observed, shares similar ecological roles. Often growing in overlapping clusters on wood, some species of Panellus display bioluminescence, a phenomenon that has long fascinated naturalists. These fungi, too, are saprotrophs, and their presence signals a healthy, functioning forest floor.

Finally, Mycena epipterygia, commonly known as the yellowleg bonnet, is a small but exquisite mushroom, notable for its translucent cap and slender, often yellowish stem. Belonging to a large genus renowned for its fragile beauty, Mycena species frequently inhabit mossy logs and damp leaf litter. Some possess faint luminescence, and many have played roles in studies of fungal chemistry and symbiosis.

Each of these fungi, though modest in size, stands as a testament to nature’s quiet complexity. Their ephemeral presence in the forest reminds us of the intricate interdependence that sustains woodland life and the elegance that resides in even the humblest forms.

Sony A7RV

Sigma 105mm f2.8

Linking Sunday Best

I had been away for but a week, visiting Sydney. Upon my return, Joel insisted we stop for a drink at a Japanese bar in Richmond. He met me at the airport, evidently eager to unburden himself of the unpleasant affairs at his workplace. Though I scarcely caught the full tenor of his complaints, I found contentment in a bowl of piquant tofu soup and a glass of chilled namasake

Pixie Parasol in Lake Sanitarium Mount Macedon for Treasure Tuesday

 

Around this season each year, we venture into the woodlands of Mount Macedon, near Lake Sanitarium, in pursuit of the delicate and elusive wild mushrooms that flourish briefly in the damp and shaded understory. This annual tradition of mushroom hunting is both a ritual and a delight, a quiet communion with the rhythms of the forest. Yet, this year, our efforts have thus far borne no fruit. Twice we have searched the familiar grounds, only to find the earth ungenerous. The unseasonably warm weather has likely discouraged the fungi from their usual emergence, for they thrive best in cooler, moisture-laden air.

Nevertheless, in the spirit of perseverance and appreciation for nature’s finer details, Joel and I turned our attention to the craft of focus stacking—an intricate photographic technique suited for capturing these minute woodland organisms in their full dimensional glory. Each specimen demands patience and precision: we take between twenty and fifty images of a single frame, adjusting focus ever so slightly with each exposure. These are captured wide open, at the lens’s brightest aperture, allowing for maximum light and subtle depth. The process, though meticulous, borders on artistry. Thankfully, modern tools like Adobe Photoshop now make the post-processing more accessible, layering these images into a singular, sharply focused result.

I am truly enamored with the outcome. The images reveal the mushrooms as they are—young, tender sprouts, barely rising from the mossy floor. Their forms are delicate, almost otherworldly in their fragility.

Joel, ever the skilled forager, has an uncanny ability to find the pixie parasol—Mycena interrupta—a rare and enchanting species distinguished by its luminous blue hue and ephemeral presence. His knowledge borders on the encyclopedic, and he often jests, with an arched brow and a knowing smile, “What would you do without me?” Indeed, his companionship and expertise are as indispensable as the forest itself in our shared pursuit of these botanical treasures.

In these quiet moments beneath the towering eucalyptus and mountain ash, surrounded by the ancient breath of the earth, one is reminded that even in scarcity, the forest offers gifts to those who look closely.

Sony A7RV

Sigma 105mm f2.8 Macro

Linking Treasure Tuesday

Fitzroy St Murals for Mural Monday

 

These photographs, taken during my former wanderings through the storied precincts of Fitzroy in Melbourne, form a modest yet treasured archive of days past. Though some images have weathered time gracefully and others appear worn or unrefined, each holds a certain charm for me—vestiges of solitary afternoons spent observing the character of the city through the lens of my camera.

Fitzroy, long regarded as Melbourne’s cradle of bohemian culture, has earned renown for its vibrant and often provocative street art. From the 1970s onwards, its laneways and brick facades became the canvas for an evolving urban dialogue—first through political slogans and stencil art, and later through intricate murals and large-scale commissions that drew artists from across the globe. The suburb’s walls speak in colour and form, telling stories of rebellion, community, and cultural transformation.

In such an environment, every corner bore the potential for artistic revelation. My photowalks, humble though they were, sought to capture fleeting intersections between light, decay, and expression. Some of the images reflect this energy vividly; others merely hint at it. Regardless of composition or clarity, these photographs are to me what relics are to a historian: fragments that, when assembled, speak not only of place, but of time and of one’s quiet presence within it.

They may not all gleam with technical finesse, but they are, in their own right, memory’s keepsakes—witness to an era in which Fitzroy’s streets breathed with defiant creativity and untamed spirit.

Sony A7RV

Sigma 17mm f4 

Linking Mural Monday

Kilcunda Trestle Bridge Gippsland for Skywatch Friday

 

This weekend, Joel has expressed a desire to return to the Kilcunda coastline, a place rich in both natural beauty and historical significance. I believe we may seize the opportunity to venture further into the deeper reaches of the sea during low tide, perhaps uncovering aspects of the shoreline previously unexplored.

It is worth noting that Kilcunda is home to the iconic Trestle Bridge, a striking relic of Australia’s early railway era. Constructed in the early 20th century as part of the Wonthaggi railway line, the bridge once served as a vital artery for coal transport, linking the thriving mining town of Wonthaggi to Melbourne. Though no longer in service, the structure remains a testament to the region's industrious past, standing proudly above the Bass Coast as a reminder of Gippsland’s role in shaping Victoria’s economic history.

In returning, we not only revisit a beloved coastal spot but also walk in the shadow of history itself.

Sony A7RV

Sigma 14-24mm f2.8

Linking Skywatch Friday

Fitzroy Murals for Mural Monday

 

These portrait murals have stood there in Fitzroy for many years. 

Fitzroy, Melbourne, is renowned for its vibrant street art and murals, reflecting the suburb’s rich cultural and political history. Murals began appearing in the 1970s, influenced by global political movements and local activism. One of the earliest and most famous is the Charcoal Lane mural (1985) by Megan Evans and Les Griggs, which celebrates Fitzroy’s Indigenous heritage and the community’s struggles.

During the 1990s and early 2000s, Fitzroy’s walls became canvases for graffiti artists and muralists alike, with iconic works appearing in laneways like Johnston Street and Rose Street. The area’s murals often feature themes of social justice, environmentalism, and Aboriginal rights, blending traditional and contemporary styles.

Sony A7RV

Sigma 17mm f4 

Linking Mural Monday and FACE OFF

Springvale Lunar New Year Parade (small one) for Treasure Tuesday

 

Early one morning, I accompanied my mother to shop in Springvale. Although I did not intend to participate in any Lunar New Year celebrations, the convenience of the visit made it inevitable. Interestingly, it seems that most of the parades are now organised by Australians. It appears that many Chinese individuals have integrated so thoroughly into Australian society that they have abandoned the cultural heritage they once cherished in which it includes me lol. 

In my youth, I participated in traditional dragon dances, visiting various shops to collect red packets. If a shop owner was hesitant to offer one, I, along with the band, would persist, briefly disrupting their business until they obliged.

Too much energy in the morning. A long day to go!

I enjoyed Vietnamese Pho weekly. 

Sony A7RV

Sigma 17mm f4 

Linking Treasure Tuesday

Rapid Bay (other) Caves in Fleurieu Peninsula SA for Treasure Tuesday

 

Rapid Bay, South Australia, is home to several other caves. Joel had been feeling unwell due to the earlier inclement weather. He was eagerly anticipating a great opportunity to photograph Granite Island before visiting Rapid Bay. Fortunately, his spirits lifted when the clouds began to part at Rapid Bay. I, too, was pleased, as there were new subjects to photograph in this area. I would not have visited had Joel not needed to attend a wedding there. These caves are remarkably large. Unfortunately, the rocky walls exude an odor of urine, a consequence of the actions of some of the local youths.

Sony A7RV

Sigma 14-24mm f2.8 

Linking Treasure Tuesday

Rapid Bay Cave for Water H2O Thursday

 

Rapid Bay Cave is likely the largest cavern in the Fleurieu Peninsula of South Australia. It is not well indicated on maps, nor are there any signposts in the vicinity. A group of young people lingered in the cave for an extended period, causing Joel and me to wait for them to depart. Some photographs were taken in an Instagram style, including silhouettes to provide a sense of scale.

Joel has shed a considerable amount of weight; intermittent fasting has proven effective for him. I am currently attempting to replicate his exercise regimen. He kindly procured for me a complimentary subscription to Free Press, which features writings by several former New York Times reporters. I am thoroughly enjoying the subscription.

I acquired a Sigma 14-24mm f/2.8 lens over a year ago but had not used it extensively. During our journey to South Australia, we made ample use of this lens.

Sony A7RV

Sigma 14-24mm f2.8 

Linking Water H2O Thursday

Kilcunda Sunset with a pink glow for Water H2O Thursday

 

The colour I prefer

Sony A7RV

Sigma 14-24mm f2.8

Linking Water H2O Thursday

Kilcunda Sunset for Water H2O Thursday

 

I think I will revisit this place on the weekend.

Sony A7RV

Sigma 14-24mm f2.8 

Linking Water H2O Thursday

Some more Forest Mushrooms for Treasure Tuesday

 

Right thigh is feeling much better. I think it is muscle tear healing up. Now contemplating on swimming instead. Less toll on muscular injury. 

Sony A7RV

Sigma 105mm f2.8 Macro

Linking Treasure Tuesday

Kilcunda Coast for Water H2O Thursday

 

I self-diagnose my right thigh as grade 1 quads strain. I can hear the muscle pop in various parts of thigh. I knew the muscle is under too much stress. Not good news that I could not take on too much adventures in the coming weekend.

Joel was standing there in the distance trying to get his golden shot before I came along taking his spot. 

Sony A7RV

Sigma 14-24mm f2.8 

Linking Water H2O Thursday

Sheep in Qing Jing Farm Taiwan for Saturday Critter

 

They were spotted along the mountain trail I took a hike in the last trip. Quite relaxing to see them in the barren hills

Sony A7RV

Sigma 105mm f2.8 Macro

Linking Saturday Critter

I found an old photo of Joel when we got together in university time

Mushroom in Mount Macedon for Treasure Tuesday

 

Most common ordinary fungi in woods

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Sigma 105mm f2.8 Macro

Linking Treasure Tuesday

Trestle Bridge in reflection at Kilcunda for Sunday Best

 

The creek is getting dried. It is almost stagnant. 

Sony A7RV

Sigma 14-24mm f2.8 

Linking Sunday Best

Joel called being too sick to be with me outing to NaiDoc Week in city. I ended up staying at home trying out all the croissant varieties bought around East Melbourne. 

The seascape at Kilcunda Gippsland for Water H2O Thursday

 

Joel identified the spot, and I quickly took over after he finished the shot. 

Sony A7RV

Sigma 14-24mm f2.8 

Linking Water H2O Thursday

just got off the phone with Joel. We might scout another spot near this place on the weekend. 

Kilcunda rock arch Gippsland for Treasure Sunday

 

I have been here a few times over the years. It was a lowest tide ever while everywhere on the back beach of Mornington Peninsula was actually high tide. 

This is probably the moodiest shot I have taken this winter.

Sony A7RV

Sigma 14-24mm f2.8

Linking Treasure Tuesday

Melbourne urban reflection for Sunday Best

 

When we finished the dinner, the walk back to carpark came across this view. 

A quick snap. No tripod. Shot wide open.

Sony A7RV

Sigma 14-24mm f2.8 

Linking Sunday Best

Marble grade 9 beef with Yuzu sauce. It tasted really nice.

Black lipped Abalone covered by garlic chips

The restaurant we went to is at Atria Fine Dining

Fungus Mount Macedon for Treasure Tuesday

 

This was taken at the beginning of the month which was rather late for mushroom hunting. 

Overnight was zero-degree celcius. No fun. The lack of sunlight and the cold feeling in isolation does make me a little melancholic. 

On YouTube, I saw this phenomenon called "Blue Dot Effect" published in psychiatric journal, which was rather interesting. Basically, we all choose to have our own problems when there is nothing really major. Food for thought. 

Sony A7RV

Sigma 105mm f2.8 Macro

Linking Treasure Tuesday

White Whiskered Laughingthrush in Taiwan for Saturday Critter

 

I only learnt the name of this bird until a former mate in Perth Australia told me about it.

Extraordinarily plumaged songbird with white facial markings that lend it an almost comical whiskered appearance. Brown overall, with accents of yellow, buff, purple, plum, blue, and orange throughout the plumage. Inhabits montane forest edge with dense shrubbery or grassy cover, but often emerges out onto roadsides and paths to forage, often crossing the road close to vehicles. Moves in noisy flocks or in pairs, giving soft contact calls and harsh rattling and whistling calls when alarmed. Song, a melodic tinkling, is simple but pleasant.

Sony A7RV

Sigma 105mm macro 

Linking Saturday Critter