Collins Street Road Sign in Melbourne for Sign2

 

These are simply candid street photographs taken along Collins Street. As some signs appeared incidentally within the frames, I have chosen to feature them as part of this week’s theme.

Earlier this week, I received a call from Joel, who shared with me a rather troubling incident involving his son. The boy, during a philosophy class at school, had quoted the words of the philosopher Nietzsche, saying, “We have killed God. Humans have killed God...”—a reference, of course, to Nietzsche’s profound critique of modernity and the decline of religious faith in Western society.

Regrettably, the teacher, evidently young and unfamiliar with Nietzsche’s work, misconstrued the remark as an act of blasphemy. Rather than recognising the statement as a pivotal moment in philosophical discourse, she responded by issuing the boy a detention.

It is both disheartening and perplexing that one entrusted with the instruction of philosophy should possess so little acquaintance with its foundational thinkers. How is one to teach the great questions of existence, morality, and belief without a proper understanding of those who have shaped the discipline through the ages?

Sony A7RV

FE 35mm f1.4 GM

Linking Sign2 and FACE OFF

I am enjoying Micky 17 on Max. What a good story!

Fitzroy St Murals for Mural Monday

 

These photographs, taken during my former wanderings through the storied precincts of Fitzroy in Melbourne, form a modest yet treasured archive of days past. Though some images have weathered time gracefully and others appear worn or unrefined, each holds a certain charm for me—vestiges of solitary afternoons spent observing the character of the city through the lens of my camera.

Fitzroy, long regarded as Melbourne’s cradle of bohemian culture, has earned renown for its vibrant and often provocative street art. From the 1970s onwards, its laneways and brick facades became the canvas for an evolving urban dialogue—first through political slogans and stencil art, and later through intricate murals and large-scale commissions that drew artists from across the globe. The suburb’s walls speak in colour and form, telling stories of rebellion, community, and cultural transformation.

In such an environment, every corner bore the potential for artistic revelation. My photowalks, humble though they were, sought to capture fleeting intersections between light, decay, and expression. Some of the images reflect this energy vividly; others merely hint at it. Regardless of composition or clarity, these photographs are to me what relics are to a historian: fragments that, when assembled, speak not only of place, but of time and of one’s quiet presence within it.

They may not all gleam with technical finesse, but they are, in their own right, memory’s keepsakes—witness to an era in which Fitzroy’s streets breathed with defiant creativity and untamed spirit.

Sony A7RV

Sigma 17mm f4 

Linking Mural Monday

London Bridge Remains, Portsea, Mornington Peninsula for Sunday Best

 

Situated upon the windswept coast of Portsea, at the southernmost tip of the Mornington Peninsula in Victoria, Australia, the site known as London Bridge was once crowned by a magnificent natural arch—an enduring testament to the erosive power and artistry of the sea. Fashioned over countless centuries, the arch stood as both a geological marvel and a cherished local landmark, drawing visitors to behold its stark beauty and the thunderous majesty of the ocean that sculpted it.

The great arch succumbed to the inevitable work of time and tide, collapsing in the early twenty-first century and thus altering the visage of the coastline forever. Yet the place remains imbued with a kind of solemn grandeur. Where once stone spanned sky, now only remnants of its former glory stand—weathered, noble, and quiet.

I used to frequent this place often, long before I began to spend my weekends in the company of Joel. In those days, I found in the solitude of London Bridge a peculiar and profound kind of solace. Though the arch itself has long since fallen, the sea, ever faithful to its art, continues its delicate work. At high tide, waters surge into the heart of what remains—a rocky cavernous bowl—filling it with a shimmering pool of seawater that dances and glistens in the sunlight. It is a sight of singular, haunting beauty.

Joel, however, regarded the place with far less affection. To him, it was barren and uninspiring, its charms too subtle, its colours too subdued. I suppose we all have our own preferences. Where I perceived wild poetry, he found only a muted coast. And yet, I cannot help but feel that therein lies its power: in the understated, in the stripped-down silence of land and sea at meeting point.

Though the bridge itself is no more, the spirit of London Bridge endures—etched not only in the weathered stone and the tides that whisper through its remains, but also in the hearts of those who once stood before it and felt, if only for a moment, the immensity of the earth’s quiet grandeur.

Sony A7RIV

FE 16-35mm f2.8 GM

Linking Sunday Best

Balnarring Beach, Mornington Peninsula for Skywatch Friday

 

In the first photograph, Joel is visible in the distance, intently focused on photographing seaweed along the shoreline. The air has grown markedly cooler, and the sky bears the pale, steely blue that signals the quiet approach of winter. It is in such moments that the necessity of reconnecting with the natural world becomes most apparent—calming, grounding, and essential to the soul.

Balnarring Beach, located on the Mornington Peninsula southeast of Melbourne, stretches along the calm waters of Western Port Bay. Its gentle crescent shape and serene outlook toward Phillip Island make it a place of both quiet retreat and natural charm. The area is known for its safe swimming waters, expansive foreshore reserves, and the peaceful rhythm of tidal life.

The name “Balnarring” is thought to originate from Indigenous words meaning “little” and “gumtree,” a poetic nod to the native landscape. European settlement began in earnest in the 1840s when pastoral stations were established, and by the latter half of the 19th century, Balnarring had grown to include a post office, a school, and a church. The arrival of the railway in the early 20th century further connected the township with surrounding areas, allowing more visitors to discover its coastal beauty.

Balnarring Beach—once also known as Tulum Beach—has long held a quiet reputation as a haven for holidaymakers and nature lovers. In more recent times, it was honoured as one of Australia's cleanest beaches, a testament to the community's stewardship and respect for the land.

Even as seasons shift and the cold edges in, Balnarring Beach remains a place of stillness and reflection—a coastal landscape where history, nature, and memory meet in tranquil harmony.

Sony A7RV

FE 20-70mm f4 G

Linking Skywatch Friday

The past fortnight has been exceedingly busy for me. Despite the considerable amount of work I have undertaken, the returns have felt rather meagre. Joel and I have been diligently studying investments in the Japanese stock market, prompted by Warren Buffett’s decision to reallocate his wealth into Japanese equities.

Pastuso and Majorca signs for Sign2

 

It was great to walk through the CBD streets and lanes again. The photowalk was therapeutic.

The Pastuso and Majorca buildings, located in the heart of Melbourne's Central Business District (CBD), are notable for their striking designs that blend modern aesthetics with historical influences. Pastuso, an iconic structure in the area, stands out with its bold and contemporary architectural features, often celebrated for its innovative use of space and design elements that cater to both commercial and residential purposes. Nearby, the Majorca building exudes an old-world charm with its classic Victorian-era architecture, showcasing Melbourne's rich heritage. Both buildings add to the architectural diversity of the CBD, serving as a testament to the city's evolving skyline, where the past and future coexist harmoniously.

Sony A7RV

FE 35mm f1.4 GM

Linking Sign2

Over the years I have dedicated myself to serving regional and remote areas of Victoria. Yet, I am continually taken aback by the prevailing attitude that my work does not warrant fair compensation. Every aspect of what I do entails considerable cost—be it the long hours spent driving, the expense of motel accommodation, the effort required to reach often inaccessible health facilities, or the challenges posed by poor communication. It is disheartening that such sacrifices are met with disregard. After all, this too is a matter of humanity.

Heliophorus epicles spotted in Melbourne for Saturday Critter

 

The Purple Sapphire butterfly (Heliophorus epicles), primarily found in Asia, has been recorded in regions such as the Himalayas, Myanmar, and southern Yunnan. In Australia, the subspecies Heliophorus epicles latilimbata has been noted, though sightings in Melbourne are rare and unusual, as this species typically inhabits tropical and subtropical forests at elevations between 600 to 2,100 meters. The butterfly's wings are dark brown with blue and red markings, with males showcasing blue patches on the forewings and females having orange-red zigzag lines on their hindwings. While Heliophorus epicles is not native to Melbourne, any confirmed sightings in the area would be of significant interest to entomologists.

Pentax K20D

A 200mm f4 Macro

This is linking Saturday Critter

Hosier Lane Graffiti for Mural Monday

 

In earlier years, I found little appeal in these murals and graffiti; their aesthetic did not resonate with me. Yet, time alters perception. Now, with a changed eye and amidst the evolving discourse on public art and civic expression—particularly in a place as politically charged as Hosier Lane in Melbourne—I find myself regarding them anew. What once seemed chaotic now appears as a layered dialogue between artist, space, and society.

Sony A7RV

FE 35mm f1.4 GM

Linking Mural Monday

The election over the weekend proved to be quite a nuisance. The traffic was excessively congested, and every car park was fully occupied. Labour has secured a second term in office. However, I remain uncertain about how the government's extensive expenditure on healthcare will be sustainable in the long term. According to the Australian Financial Times, there are concerns that Australia may follow in the footsteps of Greece, facing bankruptcy due to excessive welfare spending, coupled with a lack of manufacturing and economic output.

While Joel and I were at Rabbit Rock, he persuaded me to invest in additional physical gold. We certainly find ourselves living in intriguing times.

Frankston Sand Sculpture Competition on Easter for Treasure Tuesday

 

The Frankston Annual Sand Sculpture Competition, once a cherished highlight of my childhood, has long held a special place in the cultural life of Melbourne’s coastal regions. Originating in Frankston, this beloved event drew crowds for years with its grand and intricate creations, becoming a seasonal tradition for many families. Some years ago, however, the competition was relocated from its original site, a change that saddened me deeply at the time. To my delight, the event has returned this year to its rightful home in Frankston. I had the pleasure of accompanying my mother to the shoreline, where we spent a delightful day capturing photographs and revisiting old memories. Though the sculptures are now more modest in scale and number, the return of the competition rekindles a sense of joy and nostalgia.

Sony A7RV

Laowa 9mm f5.6 

Linking Treasure Tuesday

Murals in Fitzroy for Mural Monday

 

Fitzroy Murals are vibrant and hippie. 

Fitzroy, Melbourne's oldest suburb, has transformed into a vibrant canvas of street art, reflecting its evolution from a working-class area to a bohemian hub. Its laneways and building facades are adorned with an eclectic mix of murals, graffiti, and installations by both local and international artists. Notable works include the iconic 1984 Keith Haring mural on Johnston Street, the photorealistic portraits by Smug, and the intricate blue patterns of Lucas Grogan. Artists like Rone and Adnate have also left their mark, contributing to the suburb's dynamic and ever-changing art scene. Streets such as Brunswick, Smith, and Gertrude, along with hidden alleys, offer a free, open-air gallery that celebrates creativity and cultural expression.

Sony A7RV

FE 24mm f1.4 GM

Linking Mural Monday

Notes from a podcast

1.          Genuine Confidence: People are drawn to those who are secure in themselves without being arrogant. Confidence shows through body language, tone of voice, and how someone carries themselves. 

2.          Active Listening: Truly paying attention when someone speaks, asking follow-up questions, and showing interest in others’ stories makes people feel valued and appreciated.

3.          Empathy and Understanding: Being able to relate to others’ feelings and perspectives builds trust and deepens connections.

4.          Positive Body Language: Open gestures, eye contact, and a warm smile can instantly make you more approachable and likable.

5.          Authenticity: Being true to yourself instead of trying to fit into someone else’s expectations resonates with people. Authenticity often comes across as refreshing and trustworthy.

6.          Humor and Playfulness: A good sense of humor and the ability to not take yourself too seriously makes interactions light-hearted and enjoyable.

7.          Generosity of Spirit: Complimenting others genuinely, being kind without expecting something in return, and celebrating others’ successes foster goodwill.

8.          Consistency and Reliability: Being dependable and keeping your word builds respect and trust over time.

9.          Non-Judgmental Attitude: People feel safer and more comfortable around those who don’t pass judgment easily and create an accepting environment.

10.        Passion and Enthusiasm: Expressing excitement and passion for your interests can be contagious, making people naturally gravitate towards you.

The entertainment rides at South Bank Melbourne for Sign2

 

In Melbourne, the same amusement rides travel across the state, appearing at various festivals. I have photographed these very rides in locations such as the Mornington Peninsula, Birrarung Marr, and Frankston.

Sony A7RV

FE 50mm f1.2 GM

Linking Sign2

I shall be away for a fortnight, having undertaken additional locum work. This will entail further travel and the accompanying mental adjustments. I have recently subscribed to Max Online, which offers a wide selection of HBO films. I trust these will prove a welcome diversion on days when I seek a moment of quiet repose.

Flinders Blowhole Sunset for Skywatch Friday

 

This photograph was taken last weekend. The shutter speed was set slightly slow, producing an effect I found more appealing than that of a long exposure. The sky appeared particularly dramatic, and the waves crashing against the rocks were strikingly turbulent.

Wishing everyone a joyful Easter.

I have ordered a special cake from a boutique pâtisserie — a chocolate mousse delicately enrobed in pear cream — which I look forward to sharing with my mother.

Sony A7RV

FE 70-200mm f4 G

Linking Skywatch Friday

Over the past fortnight, I have indulged in viewing all six seasons of Schitt’s Creek. At the outset, the series appeared somewhat clichéd, with a rather uninspired storyline. However, by the third season, it began to reveal a remarkable depth and charm. The romantic arc between Patrick and David, in particular, proved to be both refreshing and heartfelt. Each character was afforded the opportunity for full development, to the extent that, by the series’ conclusion, the actors and actresses felt like dear friends and cherished members of one’s own family. It was with a touch of melancholy that I bid farewell to the show as it drew to a close.

Flinders Blowhole seascape for Water H2O Thursday

 

I didn’t do much last weekend. This is an older photograph taken at Flinders Blowhole—I particularly like the way the water splashes onto the rocks.

I’ve resumed intermittent fasting in an effort to shed the extra weight I gained while in Taiwan. Work has been quite demanding. To make matters more difficult, I’ve received the unfortunate news that I will once again be losing my capable receptionist. It appears to be a recurring pattern within the corporate structure to dismiss competent staff within a two-year timeframe. One has to wonder—when things are functioning well, why is there a need to remove those who contribute positively?

Sony A7RV

FE 20-70mm f4 G

Linking Water H2O Thursday

Pulpit Rock, Cape Schanck, Mornington Peninsula for Sunday Best

 

I just returned from a whole day's trip around Taipei. This shot was from one of the adventures I had with Joel. The photo did look better now than the time I clicked the shutter. 

Sony A7RV

FE 20-70mm f4 G

Some of the dumplings I had: Soup dumpling and Wen zhou Wontons. 

Linking Sunday Best

Melbourne Murals for Mural Monday

 

Certain murals indeed evoke deep emotions, and exploring different painting styles allows me to appreciate and learn from them.

Regarding my time in Taipei, I am finally overcoming the effects of jet lag. However, I find myself feeling less adept at adjusting to new environments. Additionally, I have been inundated with a considerable number of work-related emails, which has been rather distressing. The constant demands of others can be quite overwhelming.

Panasonic G9

Leica 12-60mm f2.8-4

This is linking Mural Monday