Maldon Milkyway sky for Sunday Best

 

Maldon, situated not far from Bendigo, which I often regard as my second home, is a town of vintage charm and historic resonance. By night, the township lies beneath a deep and pervasive darkness, its obscurity relieved only by the faint glow of a few tungsten lamps in the town centre. These lights, though serviceable to the passer-by, are oft resented by photographers, for the colour cast of tungsten is notoriously harsh and unflattering to the delicate sensitivity of the modern camera sensor.

In my own practice of nocturnal photography, I have adopted a particular method of image refinement. For it is a truth, seldom appreciated outside the circles of those who employ a star tracker, that the core of the Milky Way is ablaze with natural hues—crimson, gold, and azure—wrought by the very physics of interstellar gas and dust. Without such aid, these colours often appear subdued, but with patience and careful editing they may yet be revealed in their original splendour.

The town of Maldon itself bears a history no less luminous than the heavens above it. Proclaimed in 1853 amidst the tumult of the Victorian gold rush, Maldon swiftly prospered as miners from near and far sought their fortunes in its quartz reefs. By the mid-nineteenth century, the town was adorned with banks, churches, and fine public houses, their stout masonry and wrought-iron embellishments testifying to both wealth and permanence. Unlike many goldfield settlements that withered when their veins were exhausted, Maldon endured, and in later years became renowned as Australia’s first “notable town” formally classified by the National Trust in 1966, a recognition of its remarkably preserved streetscape of Victorian architecture.

Thus, Maldon is at once a relic of human endeavour and ambition, and a stage upon which the eternal drama of the cosmos may be observed. Its dimly lit lanes, untroubled by the clamour of modern neon, afford the night sky a rare purity—an inheritance both from its miners of old, and from the silence of the stars that wheel above.

Sony A7RV

FE 16-35mm f2.8 GM

Linking Sunday Best

Cadillac Gorge Coast Gippsland for Skywatch Friday

 

Cadillac Gorge in Gippsland is a place of singular beauty, best revealed in its fullness when the tide runs high. Unlike many locations along the coast near Melbourne, which lose much of their drama to the receding waters, this gorge gains its splendour precisely at the hour when the sea presses inward, filling its chasms with heaving, silvered tides. It was during the quiet severity of winter that this particular scene was captured, when the air was sharp, the sea restless, and the light cast a subdued, almost austere glow across the stone.

The natural history of the gorge is deeply rooted in the geological character of Gippsland’s coast. Over countless millennia, waves and weather chiselled away at the softer rock, leaving behind a rugged cleft where the sea now surges and withdraws in eternal rhythm. The walls of the gorge bear silent testimony to this slow labour of time, their strata marking ancient epochs of earth and ocean. In winter, sea-spray often wreathes the rocks in a fine mist, and birdlife—gulls, cormorants, and the occasional sea eagle—can be seen circling above, drawn by the bounty of the waters.

The human history of Cadillac Gorge, though quieter, is no less meaningful. Long before European settlement, the coastal country of Gippsland was part of the traditional lands of the Gunai/Kurnai people, for whom the shorelines and sea caves were places of food gathering, story, and spiritual connection. With colonisation, the coast became a frontier for sealing, fishing, and later, tourism, as travellers from Melbourne sought out wild beauty beyond the city. Today, though relatively little known compared with the more frequented coves of Phillip Island or the Great Ocean Road, Cadillac Gorge stands as one of those hidden places that rewards patient discovery.

Thus, a photograph taken here at high tide is not merely an image of rocks and water: it is a moment within a much older story, shaped by the forces of earth and sea, and framed by the layered presence of human history upon the land.

Sony A7RV

FE 16-35mm f2.8 GM

Linking Skywatch Friday

Magic Beach Cape Woolamai Phillip Island for Skywatch Friday

 

Magic Beach, revealed only at low tide along the sweeping shores of Cape Woolamai on Phillip Island, is a place where the natural and the personal converge in quiet wonder. When the ocean withdraws, the sea floor unveils a scatter of ancient rocks, their surfaces carved and smoothed over millennia by waves and wind. These formations are the remnants of a powerful volcanic past, for Cape Woolamai itself is born of basaltic flows and granite intrusions that date back millions of years, their rugged cliffs now standing sentinel over Bass Strait. Long before European arrival, this coastline formed part of the lands of the Bunurong people, who knew its rhythms of tide, bird, and season. Today, it remains both a sanctuary for migratory seabirds and a dramatic landscape that draws the eye and stirs the imagination.

It was here, during the pandemic year when Melbourne lay under lockdown, that I came alone with my newly acquired Sony A7RIV, predecessor of the A7RV, eager to explore its capabilities. Magic Beach seemed an apt stage for such an experiment. I found myself entranced by the interplay of light and shadow across tide pools and rocks, using HDR techniques I had never attempted with my earlier Panasonic or Canon cameras. The solitude of that moment—an island shore, a receding tide, the silence broken only by surf—transformed the practice of photography into something almost meditative. In that fleeting communion, I glimpsed both the deep history of Cape Woolamai and the personal magic of discovery, as if the land itself conspired with my lens to etch memory into image.

Sony A7RIV

FE 16-35mm f2.8 GM

Linking Skywatch Friday

Portsea Back Beach in Mornington Peninsula for Treasure Tuesday

 

At times, once an image is captured, I find it impossible to recreate it again, even when returning to the same location under seemingly similar lighting conditions. For a period, I frequently ventured alone along the shore, experimenting with various shutter speeds and techniques. I persisted in my pursuit irrespective of the weather. These photographs were taken during that time at Portsea—a locale not renowned as a popular tourist destination yet distinguished by its exposed ocean floor at low tide. Though these scenes may not captivate the majority, I hold a profound affection for these two particular images

Sony A7RV

FE 16-35mm f2.8 GM

Linking Treasure Tuesday

Pulpit Rock in cloudy sky for Skywatch Friday

 

I have shared numerous photographs from this region. Pulpit Rock, a striking natural formation at Cape Schanck on Victoria’s Mornington Peninsula, bears a resemblance to a phallic symbol. This prominent geological feature is composed primarily of basalt, formed from ancient volcanic activity approximately 20 million years ago during the Miocene epoch. The rock stands as a testament to the region’s turbulent geological past, where successive lava flows cooled and solidified, creating the rugged coastline that defines Cape Schanck today.

In this particular image, the golden hour’s enchanting light is absent, replaced instead by an overcast sky. The green algae carpeting the foreground emerges as the principal feature, adding a vibrant contrast against the dark basalt. These algae thrive in the intertidal zones of the rocky shore, contributing to the complex coastal ecosystem by providing nourishment and habitat for a variety of marine life.

The air was chill, and Joel was unwilling to remain for long. During our visit, we observed a young boy of Indian descent nearly swept from the precarious rocks and into the sea—a stark reminder of the power of the ocean at this exposed headland. Pulpit Rock and its surrounding cliffs are constantly shaped by relentless waves and winds, making it a site of both breathtaking beauty and inherent natural danger.

Sony A7RV

FE 16-35mm f2.8 GM

Linking Sky watch Friday

Pinnacles, Cape Woolamai, Victoria for Skywatch Friday

 

What I truly seek is a sky adorned with fish-scale clouds. The Pinnacles, indeed, stand as one of Melbourne’s most remarkable destinations for photography.

At Cape Woolamai’s Pinnacles on Phillip Island, the boulder rocks are covered with vibrant green moss, creating a striking contrast against the pink granite formations. These ancient rocks, formed approximately 360 million years ago from slowly cooled molten magma, have been sculpted over time by relentless ocean waves and winds. The moss thrives in the moist, salty air, adding a lush texture to the rugged landscape. This natural tapestry enhances the visual appeal of the area, making it a popular spot for photographers and nature enthusiasts alike. The combination of geological history and thriving plant life exemplifies the dynamic beauty of this coastal environment

Sony A7RV

FE 16-35mm f2.8 GM

Linking Sky Watch Friday

London Bridge Remains, Portsea, Mornington Peninsula for Sunday Best

 

Situated upon the windswept coast of Portsea, at the southernmost tip of the Mornington Peninsula in Victoria, Australia, the site known as London Bridge was once crowned by a magnificent natural arch—an enduring testament to the erosive power and artistry of the sea. Fashioned over countless centuries, the arch stood as both a geological marvel and a cherished local landmark, drawing visitors to behold its stark beauty and the thunderous majesty of the ocean that sculpted it.

The great arch succumbed to the inevitable work of time and tide, collapsing in the early twenty-first century and thus altering the visage of the coastline forever. Yet the place remains imbued with a kind of solemn grandeur. Where once stone spanned sky, now only remnants of its former glory stand—weathered, noble, and quiet.

I used to frequent this place often, long before I began to spend my weekends in the company of Joel. In those days, I found in the solitude of London Bridge a peculiar and profound kind of solace. Though the arch itself has long since fallen, the sea, ever faithful to its art, continues its delicate work. At high tide, waters surge into the heart of what remains—a rocky cavernous bowl—filling it with a shimmering pool of seawater that dances and glistens in the sunlight. It is a sight of singular, haunting beauty.

Joel, however, regarded the place with far less affection. To him, it was barren and uninspiring, its charms too subtle, its colours too subdued. I suppose we all have our own preferences. Where I perceived wild poetry, he found only a muted coast. And yet, I cannot help but feel that therein lies its power: in the understated, in the stripped-down silence of land and sea at meeting point.

Though the bridge itself is no more, the spirit of London Bridge endures—etched not only in the weathered stone and the tides that whisper through its remains, but also in the hearts of those who once stood before it and felt, if only for a moment, the immensity of the earth’s quiet grandeur.

Sony A7RIV

FE 16-35mm f2.8 GM

Linking Sunday Best

Castlemaine Signs, Victoria for Sign2

 

The township of Castlemaine, nestled in the heart of Victoria, carries with it a distinct and storied reputation. Founded during the fervour of the 1850s gold rush, the town once bustled with fortune-seekers and independent spirits drawn by the promise of prosperity. That legacy endures, for the region has long been known as a haven for those inclined toward unconventional lifestyles and independent thought.

In contemporary times, Castlemaine is often regarded as a refuge for individuals of a more bohemian or "hippie" persuasion—those who value artistic expression, sustainability, and a certain distance from mainstream norms. Its residents, many of whom dwell amidst the surrounding bushland, are perceived to emerge from their secluded environs infrequently, often bearing views shaped by a deep scepticism of authority and institutional convention. This reputation, colourful though perhaps exaggerated, continues to distinguish Castlemaine from its more conventional neighbours, adding to its charm as a bastion of countercultural identity rooted in a rich and defiant past.

Sony A7RV

FE 16-35mm f2.8 GM

Linking Sign 2

Diamond Bay Staircase for Sky watch Friday

 

This was taken when I started out learning taking Milkyway photo 

Sony A7RIV

FE 16-35mm f2.8 GM

Linking Skywatch Friday

Port Campbell Port for Sunday Best

 

The long exposure of the sea can be quite trippy

Sony A7RV

FE 16-35mm f2.8 GM

Linking Sunday Best

Cape Schanck Long exposure for Water H2O Thursday

 

I have many captures of the region in different light here

Sony A7RV

FE 16-35mm f2.8 GM

Linking Water H2O Thursday

Sea lake Mallee for Sunday Best

 

Just arrived home from Albany WA

So tired. Constant rescheduling of flights and cancellations. 

Sony A7RV

FE 16-35mm f2.8 GM

Linking Sunday Best

Mullum Mullum Creek for Water H2O Thursday

 

This was taken when I used to stay in Ringwood Melbourne. This is the natural habit for otter in outer Melbourne.

Sony A7RV

FE 16-35mm f2.8 GM

Linking Water H2O Thursday

Pulpit Rock for Treasure Tuesday

 

Joel and I went to Cape Schanck on the weekend. It was a good trip that we both got different shots different from the one shown above. It was medium high tide at the location. Joel was almost engulfed by the rogue wave 2 metres above him. It was a shocker

Sony A7RV

FE 16-35mm f2.8 

Linking Treasure Tuesday

Metcalfe Abandoned Bus for Sky Watch Friday

 

Metcalfe Abandoned bus is sitting there for a long time 

Sony A7RV

FE 16-35mm f2.8 GM

Linking Sky Watch Friday

Kilcunda Sky Mirror for Sky Watch Friday

 

It was a lucky moment.

Sony A7RV

FE 16-35mm f2.8 GM

Linking Sky Watch Friday

Joel and I are heading to the coast again this weekend. The forecast on Saturday is sunny again. We preferred partly cloudy. 

Cadillac Gorge in San Remo for Water H2O Thursday

 

I have different versions of the landscape over the years. This was taken 3 years ago. I compare this shot to the one I took last year which was completely opposite to this frame shown above. 

Sony A7RV

FE 16-35mm f2.8 GM

Linking Water H2O Thursday

Serenity Falls in Sunshine Coast for Water H2O Thursday

 

The sheer beauty of the waterfall is in the tranquility

Sony A7RV

FE 16-35mm f2.8 GM

Linking Water H2O Thursday

Rye Beach with sunny sky for Skywatch Friday

 

A sunny day to do long exposure. No clouds in the sky though.

Sony A7RIV 

FE 16-35mm f2.8 GM

Linking Skywatch Friday

Speke Shipwreck astro photography for Treasure Tuesday

 

Dying to get back here soon. 

Sony A7RIV

FE 16-35mm f2.8 GM

Linking Treasure Tuesday