Showing posts with label 14-24mm. Show all posts
Showing posts with label 14-24mm. Show all posts

Sunday, June 14, 2026

Princes Pier Port Melbourne for Sunday Best

 


A gentle wander along the Port Melbourne foreshore with Joel brought an unexpected delight. Beneath the bridge, scattered across the shallow seabed like fallen stars, lay dozens of starfish basking in the clear water. We both stopped in wonder, peering over the railing and pointing out each new discovery. Before long, cameras were in hand and we were happily photographing them, as excited as children stumbling upon a hidden treasure. The quiet afternoon, the glimmering sea, and those living stars below made the simple stroll feel like a small adventure.


Sony A7RV

Sigma 14-24mm f2.8 



Linking Sunday Best

Tuesday, June 9, 2026

Old Bridge as part of Steinglitz Victoria Melbourne for Treasure Tuesday

 





The old timber bridge at Steiglitz is said to be one of the most haunted relics in a town that is already more ghost than living settlement. Its weathered planks sag beneath the weight of time, and everywhere the wood is splintered, softened by rain, rot, and more than a century of neglect. Each step across it seems to stir echoes from the gold rush years, when thousands of hopeful souls crowded these gullies in search of fortune, only for many dreams to be buried beneath the earth alongside the mines. Steiglitz itself once thrived with hotels, churches, shops and a bustling population before the gold vanished and the town slowly emptied into silence.

Local folklore clings to places like this bridge. Visitors often speak of an uneasy stillness hanging over the creek, as though unseen eyes linger among the twisted gums. It is easy to imagine the spirits of miners crossing here after long days underground, their lantern light flickering through the darkness, never quite finding its way home. Whether ghosts truly walk these boards is impossible to know, yet the bridge feels like the sort of place where stories are born naturally from shadow, decay and memory.

What surprised me most was not the haunted atmosphere but the evidence of ordinary life. At the end of the path stood a house, proof that people still choose to live in this near-abandoned settlement. While visitors arrive searching for spectres and forgotten history, someone calls this place home. Surrounded by creaking timber, empty streets and tales of restless souls, they wake each morning where others hesitate to linger after sunset.

How brave. Or perhaps, after enough years in Steiglitz, it is the ghosts who become the neighbours.



Sony A7RV

Sigma 14-24mm f2.8 


Many people in Melbourne feel deeply frustrated by the financial burden imposed on Victorian taxpayers through costly government projects and rising living expenses. There is growing public dissatisfaction with Premier Jacinta Allan's leadership, with some calling for her resignation and arguing that she no longer retains public confidence.

Critics contend that the costs of major infrastructure projects have ultimately fallen on Victorian households, contributing to increasing pressure on family budgets. With electricity, food, housing, and other essential expenses continuing to rise, many residents believe they are being pushed beyond their financial limits.

The concern is not merely political but economic. For a growing number of Victorians, the escalating cost of living has become the central issue, creating genuine anxiety about their ability to afford basic necessities and maintain their standard of living.




Linking Treasure Tuesday

Sunday, June 7, 2026

Steinglitz Victoria for Sunday Best

 




Steiglitz turned out to be far less exciting than the internet promised. Joel and I had made the journey because of a flood of viral videos proclaiming it Victoria’s most haunted town, a forgotten settlement steeped in ghost stories and restless spirits. Expectations rose with every kilometre of dusty road. Reality, however, arrived in silence.

The three photographs were taken around the old courthouse, the focal point of much of Steiglitz's folklore. Yet the building was closed, its doors locked against both visitors and curiosity. We wandered the empty grounds searching for traces of the stories that had drawn us there, but found little more than stillness. The town seemed reluctant to surrender its legends in the harsh light of day.

Steiglitz was once a thriving gold-rush settlement in the 1850s, when thousands flocked to the area chasing fortunes buried beneath the hills. What remains today is a small collection of weathered buildings scattered across a landscape that has long since been reclaimed by nature. The prosperity vanished almost as quickly as it arrived, leaving behind a ghost town in the truest historical sense rather than the supernatural one.

Despite the disappointment, there was an atmosphere that lingered. The courthouse sat beneath ancient trees whose twisted limbs clawed at the sky. Their trunks were knotted and contorted, as though decades of wind and drought had sculpted them into strange living monuments. In the afternoon light they appeared merely old; but one could easily imagine how they would transform after sunset. Their shadows would lengthen across the empty ground, their branches becoming skeletal fingers reaching through the darkness.

Perhaps that is where Steiglitz earns its haunted reputation. Not through apparitions or dramatic tales, but through absence. The abandoned buildings, the silence where a bustling goldfield once stood, and the gnarled trees that seem to ooze a dark and watchful presence all combine to create a place that feels suspended between eras. By day it was, frankly, rather dull. Yet standing among those twisted trees, it was not difficult to picture how the town might become something altogether more unsettling when night finally settled over the valley.





Sony A7RV

Sigma 14-24mm f2.8 


Linking Sunday Best

Monday, July 7, 2025

Spencer St Mural by Adnate for Mural Monday

 



Adnate, a well-known Australian street artist celebrated for his large-scale portraiture.

Adnate, whose real name is Matt Last, hails from Melbourne and has gained international recognition for his powerful and emotive murals that often portray Indigenous Australians, elders, and youth with dignity and strength. His work typically blends realism with street art techniques, using spray paint to capture striking expressions and profound cultural narratives.

In this image, Adnate's signature style is clear—deeply human faces with intense, expressive eyes, rendered with photorealistic detail against a more abstract or symbolic background. The mural’s subjects—likely community members or individuals of personal or cultural significance—are depicted with great reverence, a hallmark of Adnate's work.

You can find his other murals in cities around the world, but many of his most iconic pieces are right in Melbourne, on the walls of buildings just like this one, often contributing to broader dialogues about identity, history, and resilience.


Sony A7RV

Sigma 14-24mm f2.8


Linking Mural Monday




Friday, April 11, 2025

Kilcunda Trestle Bridge Gippsland for Skywatch Friday

 


This weekend, Joel has expressed a desire to return to the Kilcunda coastline, a place rich in both natural beauty and historical significance. I believe we may seize the opportunity to venture further into the deeper reaches of the sea during low tide, perhaps uncovering aspects of the shoreline previously unexplored.

It is worth noting that Kilcunda is home to the iconic Trestle Bridge, a striking relic of Australia’s early railway era. Constructed in the early 20th century as part of the Wonthaggi railway line, the bridge once served as a vital artery for coal transport, linking the thriving mining town of Wonthaggi to Melbourne. Though no longer in service, the structure remains a testament to the region's industrious past, standing proudly above the Bass Coast as a reminder of Gippsland’s role in shaping Victoria’s economic history.

In returning, we not only revisit a beloved coastal spot but also walk in the shadow of history itself.

Sony A7RV

Sigma 14-24mm f2.8

Linking Skywatch Friday




Tuesday, January 21, 2025

Rapid Bay (other) Caves in Fleurieu Peninsula SA for Treasure Tuesday

 






Rapid Bay, South Australia, is home to several other caves. Joel had been feeling unwell due to the earlier inclement weather. He was eagerly anticipating a great opportunity to photograph Granite Island before visiting Rapid Bay. Fortunately, his spirits lifted when the clouds began to part at Rapid Bay. I, too, was pleased, as there were new subjects to photograph in this area. I would not have visited had Joel not needed to attend a wedding there. These caves are remarkably large. Unfortunately, the rocky walls exude an odor of urine, a consequence of the actions of some of the local youths.

Sony A7RV

Sigma 14-24mm f2.8 


Linking Treasure Tuesday

Thursday, January 16, 2025

Rapid Bay Cave for Water H2O Thursday

 




Rapid Bay Cave is likely the largest cavern in the Fleurieu Peninsula of South Australia. It is not well indicated on maps, nor are there any signposts in the vicinity. A group of young people lingered in the cave for an extended period, causing Joel and me to wait for them to depart. Some photographs were taken in an Instagram style, including silhouettes to provide a sense of scale.

Joel has shed a considerable amount of weight; intermittent fasting has proven effective for him. I am currently attempting to replicate his exercise regimen. He kindly procured for me a complimentary subscription to Free Press, which features writings by several former New York Times reporters. I am thoroughly enjoying the subscription.

I acquired a Sigma 14-24mm f/2.8 lens over a year ago but had not used it extensively. During our journey to South Australia, we made ample use of this lens.


Sony A7RV

Sigma 14-24mm f2.8 


Linking Water H2O Thursday


Thursday, October 17, 2024

Kilcunda Sunset with a pink glow for Water H2O Thursday

 


The colour I prefer


Sony A7RV

Sigma 14-24mm f2.8


Linking Water H2O Thursday




Tuesday, September 17, 2024

Kilcunda Trestle Bridge reflection for Treasure Tuesday

 


The reflection and the tone are what I am after

Sony A7RV

FE 14-24mm f2.8 


Linking Treasure Tuesday


Thursday, August 15, 2024

Kilcunda Sunset for Water H2O Thursday

 


I think I will revisit this place on the weekend.

Sony A7RV

Sigma 14-24mm f2.8 

Linking Water H2O Thursday




Thursday, August 1, 2024

Kilcunda Coast for Water H2O Thursday

 


I self-diagnose my right thigh as grade 1 quads strain. I can hear the muscle pop in various parts of thigh. I knew the muscle is under too much stress. Not good news that I could not take on too much adventures in the coming weekend.

Joel was standing there in the distance trying to get his golden shot before I came along taking his spot. 

Sony A7RV

Sigma 14-24mm f2.8 

Linking Water H2O Thursday


Monday, July 22, 2024

Leunig Cartoon in Melbourne CBD for Mural Monday

 


I used to dislike Leunig arts. It is growing on me. 

Louden Place CBD

Sony A7RV

Sigma 14-24mm f2.8 

Linking Mural Monday



Sunday, July 14, 2024

Trestle Bridge in reflection at Kilcunda for Sunday Best

 


The creek is getting dried. It is almost stagnant. 

Sony A7RV

Sigma 14-24mm f2.8 

Linking Sunday Best


Joel called being too sick to be with me outing to NaiDoc Week in city. I ended up staying at home trying out all the croissant varieties bought around East Melbourne. 



Thursday, July 11, 2024

The seascape at Kilcunda Gippsland for Water H2O Thursday

 


Joel identified the spot, and I quickly took over after he finished the shot. 

Sony A7RV

Sigma 14-24mm f2.8 

Linking Water H2O Thursday

just got off the phone with Joel. We might scout another spot near this place on the weekend. 



Tuesday, July 9, 2024

Kilcunda rock arch Gippsland for Treasure Sunday

 


I have been here a few times over the years. It was a lowest tide ever while everywhere on the back beach of Mornington Peninsula was actually high tide. 

This is probably the moodiest shot I have taken this winter.


Sony A7RV

Sigma 14-24mm f2.8

Linking Treasure Tuesday





Sunday, July 7, 2024

Melbourne urban reflection for Sunday Best

 


When we finished the dinner, the walk back to carpark came across this view. 


A quick snap. No tripod. Shot wide open.

Sony A7RV

Sigma 14-24mm f2.8 

Linking Sunday Best


Marble grade 9 beef with Yuzu sauce. It tasted really nice.


Black lipped Abalone covered by garlic chips



The restaurant we went to is at Atria Fine Dining