Showing posts with label Sydney. Show all posts
Showing posts with label Sydney. Show all posts

Monday, July 14, 2025

Martin Place Sydney mural for Mural Monday

 


As I made my way through Martin Place in search of Angel Place, my attention was drawn to a mural along the way. It bore the appearance of a promotional display—more a commercial advertisement than a work of public art, I believe—though its colours and composition momentarily held my gaze.

Sony A7RV

FE 20-70mm f4 G



Linking Mural Monday



Saturday, July 5, 2025

Ducks and Swan at Garden of Chinese Friendship in Sydney for Saturday Critter

 


The serene Garden of Friendship in Sydney, with its tranquil ponds and winding stone pathways, is graced as always by the presence of elegant swans and cheerful ducks. The swans glide effortlessly across the still water; their long necks curved like calligraphy strokes against the reflections of willows and ornate pavilions. Meanwhile, the ducks paddle playfully in small groups, occasionally waddling ashore to forage between the rocks and bonsai-like shrubs. Their familiar presence brings a sense of continuity to the garden, a living thread through the carefully composed harmony of this urban oasis inspired by classical Chinese landscapes.


Linking Saturday Critter







Wednesday, July 2, 2025

Darling Harbour Night Signs for Sign2

 




Whilst on an evening stroll, delighting in the shimmering night lights of Sydney, I happened upon a number of curious signs as well. The gentle hum of the harbour was accompanied by the warm glow of shopfronts—those modest night establishments nestled along Darling Harbour, still open and inviting well into the late hours. Their illuminated windows offered a quiet charm, a testament to the city’s enduring vitality after dusk, where commerce and leisure intertwine beneath the soft reflections of water and light.


Sony A7RV

FE 20-70mm f4 G


Linking Signs 2




Tuesday, July 1, 2025

Darling Harbour Light up for Treasure Tuesday

 






The illumination of Darling Harbour was, all things considered, a pleasing spectacle—particularly given that admission to the event was entirely free. Yet, I must confess a certain sense of mild disappointment; the installations, though engaging, lacked the singular charm and grandeur that marked the exhibitions of previous years. Historically, Darling Harbour has long served as a site of public gathering and civic celebration. Once a bustling industrial port, it has since been transformed into a vibrant cultural and recreational precinct, emblematic of Sydney’s evolution from mercantile centre to cosmopolitan metropolis. In this light, the harbour’s festive displays continue a social tradition of communal enjoyment, even if this year’s offerings did not quite ascend to the heights of past splendour.


Sony A7RV

FE 20-70mm f4 G

Linking Treasure Tuesday




Sunday, June 29, 2025

More Circular Quay at Sydney for Sunday Best

 





Since my return from Sydney, the chill of winter has set in, accompanied by mounting demands at work. In the midst of these burdens, I have found solace in revisiting old photographs from the journey—each image a portal that revives the vivid impressions of my time there. Among them, scenes of Circular Quay stir particular nostalgia. Once the site of Sydney’s first European landing in 1788, this historic harbour has transformed over the centuries from a modest cove into a vibrant nexus of culture and commerce. To linger upon these images is to retrace, in spirit, the footsteps of the past while recalling the quiet splendour of the harbour’s sweeping vistas.

Sony A7RV

FE 20-70mm f4 G


Linking Sunday Best


I recently observed that a fellow photographer and blogger has at last returned to the Instagram scene. He appears to have gained weight and has parted ways with his long-term companion. It seems he has endured a considerable period of personal turmoil, a sentiment reflected not only in his demeanour but also in the manner in which he now edits his photographs. There is a quiet sadness that permeates his work, suggesting deeper emotional undercurrents.


Wednesday, June 25, 2025

Signs around Circular Quay for Sign2

 




There is a quiet singularity to solitary travel—a certain freedom that allows one to follow the whim of the moment, to drift where the feet may lead without constraint or consultation. I find myself spending less, yet gaining more in reflection and spontaneity. The first photograph captures a curious figure—a monkey with its eyes covered, glowing luminously in the darkness like a beacon. The second portrays a street scene imbued with a sense of ease, the leisurely manner of passers-by framed beneath the familiar signage of Hero Sushi. The final image was taken within a bustling Malaysian eatery, its tables crowded with young Australians, drawn perhaps by the warmth, the spice, and the communal spirit of the place.

Sony A7RV

FE 20-70mm f4 G


Linking Sign2


Tuesday, June 24, 2025

Convention Centre in Darling Harbour Sydney for Treasure Tuesday

 






The Convention Centre commands a view across the harbour towards Barangaroo, once a busy container terminal and now transformed into a modern waterfront precinct. Regrettably, the nearby shopping centre and adjoining food court were obscured by substantial construction works, detracting somewhat from the immediate surrounds. Fortuitously, the Australian National Maritime Museum—home to the historic submarine HMAS Onslow—lies in close proximity. Commissioned in 1969 and serving with distinction during the Cold War era, Onslow now rests in dignified retirement as a museum vessel. I took the opportunity to capture several photographs in the vicinity of the submarine and its maritime environs before attending the conference.

Sony A7RV

FE 20-70mm f4 G

Linking Treasure Tuesday










Monday, June 23, 2025

Redfern Murals in Sydney for Mural Monday

 





I traversed the entirety of the suburb of Redfern in Sydney, a locale steeped in historical and cultural significance. Once the heart of Sydney’s working-class life and a focal point of Indigenous activism, Redfern has evolved into a vibrant precinct known for its rich artistic expression. Among its many features, I encountered a number of compelling murals—visual testaments to both its heritage and contemporary spirit. The winter solstice, which fell yesterday, brought with it a biting chill, and the air was sharp with the austere beauty of the season.


Sony A7RV

FE 20-70mm f4 G


Linking Mural Monday




Sunday, June 22, 2025

Circular Quay at night for Sunday Best

 












The Vivid Sydney 2025 festival, though notably more subdued in its scale and spectacle compared to previous years, still offered moments of charm and quiet wonder. While the grandeur of earlier editions may have been tempered, it remained a pleasant experience to wander through the illuminated streets, capturing the glow of the light installations that adorned the city. The event, now a well-established fixture in Sydney’s cultural calendar since its inception in 2009, continues to draw visitors with its blend of creativity, innovation, and public art—even in its more restrained form.

Sony A7RV

FE 20-70mm f4 G



Linking Sunday Best



Wednesday, June 18, 2025

Chippendale Street Signs and Street shots in Sydney for Sign2

 






I wandered the length and breadth of Chippendale, that forlorn quarter of the city where time appears to have faltered. The streets lay largely deserted beneath a sallow sky, and the air was sharp with the cold breath of a season undecided. A strange hush hung over the suburb, as though it had slipped quietly out of the world’s memory. Buildings, once purposeful, now stand in mute disrepair—facades cracked, their windows dimmed like the eyes of the long-silent. Ivy creeps where human presence has receded, and the alleys whisper with a desolation too old to name. There is in Chippendale an ineffable melancholy, a kind of quiet sorrow that clings not only to its weathered walls but settles too upon the soul of the passerby.


Sony A7RV

FE 20-70mm f4 G

Linking Sign2




Tuesday, June 17, 2025

Sydney Lunar Park at night for Treasure Tuesday

 











I have visited Sydney on numerous occasions, as is common for many Australians. My travels to the city have largely been for professional purposes, primarily attending conferences. In earlier years, I would often confine myself to the sterile interiors of hotel rooms, sustaining myself on provisions purchased from nearby supermarkets, venturing little into the urban sprawl beyond.

However, my perspective on cities such as Sydney and Melbourne—so often dismissed as soulless concrete jungles—began to shift a few years ago. I came to appreciate them not merely as landscapes of steel and stone, but as living theatres of culture. I developed a fondness for photographing their architecture, their people, and the fleeting moments that give life to the metropolis.

On a recent visit during the Vivid Sydney festival, I made a point to attend Luna Park—an iconic amusement park that dates back to 1935, nestled at the foot of the Sydney Harbour Bridge. This historic park, with its whimsical Art Deco facade and famous smiling face entrance, has long been a fixture of Sydney’s shoreline. Though it had often been closed during my previous visits, its gates were open on weekend evenings for the duration of the festival. Encouraged by the opportunity, I purchased my ticket in advance and resolved to explore its grounds.

Regrettably, my experience at the entrance was far from pleasant. The staff tasked with managing entry proved disorganised, and their conduct was discourteous and inattentive. The queue stretched the entire length of the wharf, winding beside the harbour. Upon finally entering the park, I found myself captivated not by the amusements, but by the sight of young performers dressed in resplendent carnival fashion—evocative of an era I have only seen through the lens of old cinema. There was a glamour to their attire that delighted me as a photographer and observer of human expression.

I chose to forgo the rides, many of which appeared both uninspiring and, frankly, of questionable safety. However, my visit took an unfortunate turn when I was abruptly approached by security personnel demanding a wrist identification band—an item I had not received at the gate, despite possessing a valid ticket with barcode. Their accusatory tone and my subsequent escort to the front gate to rectify the error left me feeling humiliated and unjustly treated. It was a sobering reminder of how poorly systems of order and hospitality can sometimes serve paying guests.

Despite this, a moment of joy emerged as I passed through a corridor ominously referred to as the "clown lane." The clowns—grotesque in design, with a macabre charm—might have unsettled others, but I found the absurdity delightful. I laughed aloud as I snapped photographs, grateful for having brought my 14mm f/1.8 lens, which allowed me to capture vivid images even in low light.

Joel, for his part, does not share my enthusiasm for such spectacles (he decided not to come from Melbourne), and so I ventured to Luna Park alone. In hindsight, while the experience was marred by poor management, it nonetheless offered a glimpse into the layered strangeness and splendour of Sydney’s cultural life—a city more nuanced than its concrete shell might suggest.


Sony A7RV

FE 14mm f1.8 GM

Linking Treasure Tuesday