During a recent visit to Sydney, I made it a personal mission to locate a particular entrance to Wynyard Station—an architectural curiosity that has captivated the attention of numerous bloggers and photographers alike. This strikingly unconventional design, modern and somewhat whimsical in character, had eluded me on previous occasions, owing to the station's labyrinthine layout and multitude of exits. It was not until my fourth excursion that I successfully discovered the precise location, tucked discreetly within the urban sprawl.
Wynyard Station itself is steeped in history. Originally opened in 1932 as part of the electrified City Railway line masterminded by engineer John Bradfield, the station served as a critical node in the development of Sydney’s underground transport system. The design of the station has undergone several transformations over the decades—from its early utilitarian function to the more recent revitalisation efforts that have introduced contemporary architectural elements. One such feature is the now-iconic "Interloop" installation at the escalator entrance, which reimagines decommissioned wooden escalator treads as a suspended sculpture, blending heritage with modern art in a most imaginative manner.
Since that journey to Sydney two months prior, however, I have found myself increasingly hindered by a malfunctioning camera. My current equipment struggles to capture images with the clarity and tonal nuance I desire. I await, with mounting impatience, the release of Sony’s anticipated successor to the A7RV—the elusive A7RVI. Reports earlier in the year suggested a launch was imminent, possibly heralding the arrival of a 100-megapixel sensor and an even more refined dynamic range. And yet, the months have passed in silence, with no definitive announcements. It is a most vexing delay, particularly for one who values the capacity to record light and form with the highest fidelity.
Sony A7RV
FE 20-70mm f4 G
Linking Treasure Tuesday
