Showing posts sorted by date for query melbourne. Sort by relevance Show all posts
Showing posts sorted by date for query melbourne. Sort by relevance Show all posts

Thursday, July 31, 2025

Bridgewater Bay Blairgowrie for Water H2O Thursday

 


There has been scarcely any significant low tide in recent months along this stretch of coast. Thus, I seized a brief moment to capture a photograph from the stairway, looking down toward the shore. Nearby, one of the sand cliffs has given way, its collapse engulfing the entire shoreline beneath a shroud of earth and debris.

This took place at Bridgewater Bay, situated in Blairgowrie on the Mornington Peninsula, south of Melbourne. Renowned for its rugged coastal beauty, Bridgewater Bay features sweeping limestone cliffs, secluded rock pools, and crescent-shaped sands that are accessible only during favourable tides. In calmer times, its natural amphitheatre and tidal platforms attract walkers and beachcombers alike. Yet nature’s forces here are ever at play — carving, shaping, and at times overwhelming the very landscape they adorn.


Sony A7RV

FE 20-70mm f4 G



Linking Water H2O Thursday



Monday, July 28, 2025

Bar Mural in St Kilda Melbourne for Mural Monday

 



The magnificent mural depicting a giant bat with richly textured wings and dreamlike imagery is most assuredly Release the Bats, a work by the accomplished Australian artist Hayden Dewar. Completed in August 2023 under the commission of the Port Phillip Council, the mural adorns the wall at 6 Belford Street in St Kilda, Melbourne. Dewar, known for his vivid visual storytelling and imaginative use of colour and form, has here rendered a surreal grey-headed flying fox soaring through a vibrant landscape interwoven with motifs drawn from the local environment—native flora, references to Luna Park, the surrounding live music culture, and the coastal charm of St Kilda.

Joel and I had come to the area that day for an Italian luncheon and, by happy fortune, managed to secure a rare parking space nearby. The artwork, set against the bright tones of the streetscape, provided an unexpected and captivating visual delight—its fantastical scale and layered symbolism leaving a lasting impression.

Sony A7RV

FE 20-70mm f4 G



Linking Mural Monday




Thursday, July 24, 2025

Tenby Point, Gippsland for Water H2O Thursday

 


Tenby Point is but a modest township situated on the fringe of metropolitan Melbourne. Access to the beach lies discreetly beside the rear gate of a local residence, with space for merely two vehicles. The area is best approached during low tide, for the path leads across muddy flats rather than firm sand. The seabed itself is composed entirely of soft, viscous sludge—mud that I invariably carry into Joel’s car. For this reason, we seldom visit during summer. Instead, we favour the winter months, when the weather deters us from venturing far afield, and proximity becomes a comfort.

The aged pylons that rise solemnly from the tide are favoured subjects for photography. There is, I believe, a quiet significance to our collective urge to document them—perhaps a longing to preserve a vestige of a bygone era, or a reverence for the passage of time made manifest in timber and tide.

Presently, I am soon to commence another locum shift in regional Victoria—a favour rendered to a friend. Consequently, my blog may, on occasion, fall silent for a day or two, owing to the unpredictable demands of being on call at a country hospital. I only hope this venture does not once again lead me down the path of indulgence and weight gain, as such postings sometimes do.


Sony A7RV

FE 20-70mm f4 G

Linking Water H2O Thursday






Wednesday, July 23, 2025

Martin Place Sydney Signs for Sign2

 




Many of the buildings and interiors bore a striking resemblance to those found in Melbourne. At times, I found myself reflecting on how modern cities, despite their geographic distances and cultural distinctions, often share a uniformity in design and atmosphere. The steel and glass façades, the sleek minimalist interiors, and the ubiquitous presence of international retail chains contribute to a certain sameness that transcends borders. It is as though the identity of place is increasingly shaped by global architectural trends rather than local character. One might wander from one metropolis to another and, for a fleeting moment, forget which city they are truly in.

Sony A7RV

FE 20-70mm f4 G

Linking Sign2





Tuesday, July 22, 2025

West Gate Park Melbourne for Treasure Tuesday

 




We had initially set our sights on Sandridge Bridge, intending to capture the city skyline at sunset. Much to our surprise and disappointment, the entire area had been cordoned off, denying us access. Undeterred, we sought an alternative vantage point that might render the excursion worthwhile. We turned our course towards Westgate Park, only to discover that it too was undergoing extensive construction works—an added frustration.

Nonetheless, perseverance led us to a suitable spot from which to photograph the twilight. The gentle hues of dusk, softened by the encroaching night, provided some consolation.

Westgate Park itself, situated along the banks of the Yarra River beneath the West Gate Bridge, has long served as a haven for birdlife and city dwellers alike. Once a barren expanse of industrial wasteland, it was transformed during the 1980s as part of Melbourne’s urban greening initiatives. The park is especially known for its striking pink lake—a seasonal natural phenomenon caused by the proliferation of salt-loving algae under specific climatic conditions.

The current redevelopment seeks to enhance visitor access, restore native habitats, and improve ecological sustainability. Though temporarily inaccessible, it promises to return as an even more vibrant urban refuge.

Our evening concluded at a nearby Japanese restaurant, where we sought comfort in freshly pan-fried gyoza. Joel, in high spirits, treated himself to a small carafe of sake—rounding off a day that, though unplanned in its course, retained its moments of charm and reward.

Sony A7RV

FE 20-70mm f4 G


Linking Treasure Tuesday



Monday, July 21, 2025

Fitzroy Mural in Melbourne for Mural Monday

 


This mural is situated within a narrow laneway in Fitzroy, Melbourne, now heavily adorned with layers of graffiti and street art. Once a standalone piece, it has since become part of the ever-evolving urban tapestry for which Fitzroy is renowned.

Fitzroy, established in 1839, holds the distinction of being Melbourne's first suburb. Originally developed for the working class, it soon became known for its row houses, bluestone laneways, and bustling community life. By the mid-20th century, Fitzroy had evolved into a melting pot of cultures, attracting waves of immigrants and fostering a rich tradition of activism, creativity, and bohemian spirit.

In recent decades, the suburb has become a vibrant centre for the arts, with its walls serving as open-air galleries for muralists and street artists from around the world. Though once associated with countercultural resistance, the area now walks a fine line between gentrification and artistic preservation. This mural, layered with the marks of many hands, is emblematic of Fitzroy’s ongoing dialogue between history, community, and expression.


Sony A7RV

FE 20-70mm f4 G


Linking Mural Monday

Thursday, July 17, 2025

Bay of Islands in Blairgowrie Mornington Peninsula for Water H2O Thursday

 


There exist three distinct locations bearing the name Bay of Islands within the state of Victoria, Australia. I have had the pleasure of visiting each of them. Of these, the one situated closest to Melbourne holds a particular charm for me. Nestled along the Mornington Peninsula, this coastal enclave offers a striking interplay of sea cliffs, hidden inlets, and crystalline waters—ideal for moments of quiet reflection or aerial exploration.

When my companion Joel and I are not preoccupied with the pursuit of sunset landscapes, we often retreat to this locale to fly our drone and capture sweeping views of the coastline. The rugged contours and tranquil hues lend themselves beautifully to this form of observation.

The second Bay of Islands lies within the famed Great Ocean Road region, west of Peterborough. This is perhaps the most well-known of the three, celebrated for its dramatic limestone stacks rising from the Southern Ocean—remnants of a landscape carved by centuries of wind and wave.

The third, more remote and lesser known, is found near the shores of Corner Inlet in Gippsland. Here, coastal serenity and the subtle presence of birdlife create a setting marked by calm rather than spectacle. Each Bay of Islands bears its own character, yet all share the same elemental spirit—where land meets sea in timeless conversation.


Linking Water H2O Thursday






Saturday, July 12, 2025

Star fish at Mount Martha Melbourne for Saturday Critter

 


While walking along the coast near Mount Martha, I came upon this starfish resting just beneath the water’s surface. Though it is a known marine pest along our shores, I could not help but appreciate the quiet moment when it appeared beside my feet as I was photographing the sea.

The image depicts a sea star—also known as a starfish—positioned upon a bed of green algae and submerged vegetation. Notably, it possesses more than the customary five arms, suggesting it may belong to a multi-armed species such as the Solaster, commonly referred to as the sun star.

These creatures are marine echinoderms, distinguished by their radial symmetry and numerous tube feet, which they employ to navigate the ocean floor. This specimen was observed in a shallow, tranquil coastal pool, where the clarity of the water revealed the richness of the marine flora beneath.


Sony A7RV

FE 70-200mm f4 G

Linking Saturday Critter


Friday, July 11, 2025

Pinnacles Milkyway Cape Woolamai for Skywatch Friday

 


I have not engaged in much astrophotography over the past two years. The notion of spending an entire night outdoors—particularly at such an exposed and windswept location as the Pinnacles at Cape Woolamai—has ceased to hold the charm it once did. What was once a beloved pastime now feels more akin to an obligation. The glow visible on the horizon is the light pollution emanating from the distant city of Melbourne, which has, regrettably, diminished the appeal of this location for many photographers.

Captured using a Sony A7R V paired with the FE 14mm f/1.8 GM lens.


Linking Skywatch Friday


Thursday, July 10, 2025

Flinders Blowhole Mornington Peninsula for Water H2O Thursday

 


This photograph was taken during our previous excursion to Flinders Blowhole on the Mornington Peninsula, a destination chosen for its proximity to our residence in Melbourne. At the time, Joel and I favoured locations that required only a short drive. Presently, Joel finds himself occupied with visits from his in-laws, who travel frequently from Sydney—ostensibly, he believes, to spend time with their grandchildren. As for myself, I am presently taking a respite from coastal outings, having developed a growing interest in exploring the urban landscape instead.

Sony A7RV

FE 20-70mm f4 G



Linking Water H2O Thursday



Wednesday, July 9, 2025

De Grave Place Melbourne Signs for Sign2

 




The signage around this quarter marks some of my favourite locales—there is something distinctly Melburnian about their character, at least as captured through the lens. Nowhere is this more evident than in Degraves Place, nestled in the very heart of Melbourne’s central business district.

Degraves Place, and its adjoining laneway Degraves Street, take their name from the Degraves family, early settlers and entrepreneurs in colonial Victoria. William and Charles Degraves arrived from Hobart in the 1850s and quickly established themselves as prominent figures in Melbourne’s flour milling industry. Their enterprise, the Degraves Mill, once stood near the banks of the Yarra, a symbol of industrious ambition in the young colony.

Today, Degraves Place is emblematic of Melbourne’s famed laneway culture—an elegant mingling of past and present. Beneath its heritage façades and weathered brickwork lie cafés, galleries, and small boutiques, alive with the hum of conversation and the aroma of espresso. The signs that adorn these narrow passages are not mere markers—they are storytellers of a city that thrives on character, contrast, and continuity.

Sony A7RV

FE 14mm f1.8 GM


Linking Sign2



Tuesday, July 8, 2025

Vue De Monde Melbourne for Treasure Tuesday

 


Roast Eel 



Smoked cocktail


Picked Oyster


Caviar on pumpkin mesh


Merren 3 eats




Pineapple sorbet with floral crisps


Cured Kangaroo meat 





We are getting older 


Souffle 


Joel’s birthday was celebrated just last week, an occasion for which I had secured a reservation no less than three months in advance. The booking, as expected, was gone within minutes of the reservation page opening—testament to the enduring allure of this esteemed establishment, which has held its place among Melbourne’s finest dining destinations for over a quarter of a century. Indeed, having now dined at virtually every hatted restaurant in the city, it feels as though we are truly savouring the richness of life’s finer pleasures.

For this special evening, we were seated at Vue de Monde, a culinary landmark atop the Rialto. The evening unfolded with an elegant succession of courses—each a thoughtful homage to native Australian ingredients and refined technique. There was the delicate smoked eel with white chocolate and caviar, a bold yet balanced expression of contrasts. The Western Australian marron arrived perfectly poached, nestled in a vivid green sauce of Geraldton wax and finger lime. A course of Flinders Island lamb followed, prepared with such precision that it seemed to melt upon the tongue. Even the bread service—a warm, crusty sourdough with house-cultured butter—was elevated to a ceremonial delight.

The degustation concluded with an exquisite arrangement of petit fours: wattleseed macarons, eucalyptus marshmallows, and a hand-churned ice cream, theatrically frozen in liquid nitrogen at the table. Each dish was presented with care, matched by service that was both attentive and effortlessly refined.

To commemorate the occasion visually, I brought along my new Sony 16mm f1.8 lens. Its compact form and brilliant aperture made it an ideal companion for capturing the quiet drama of the dining scene—the glint of glassware, the sheen on porcelain, the gentle fall of candlelight on plated artistry.

Sony A7RV

FE 16mm f1.8 GM


Linking Treasure Tuesday


Monday, July 7, 2025

Spencer St Mural by Adnate for Mural Monday

 



Adnate, a well-known Australian street artist celebrated for his large-scale portraiture.

Adnate, whose real name is Matt Last, hails from Melbourne and has gained international recognition for his powerful and emotive murals that often portray Indigenous Australians, elders, and youth with dignity and strength. His work typically blends realism with street art techniques, using spray paint to capture striking expressions and profound cultural narratives.

In this image, Adnate's signature style is clear—deeply human faces with intense, expressive eyes, rendered with photorealistic detail against a more abstract or symbolic background. The mural’s subjects—likely community members or individuals of personal or cultural significance—are depicted with great reverence, a hallmark of Adnate's work.

You can find his other murals in cities around the world, but many of his most iconic pieces are right in Melbourne, on the walls of buildings just like this one, often contributing to broader dialogues about identity, history, and resilience.


Sony A7RV

Sigma 14-24mm f2.8


Linking Mural Monday




Friday, July 4, 2025

Pinnacles, Cape Woolamai, Victoria for Skywatch Friday

 


What I truly seek is a sky adorned with fish-scale clouds. The Pinnacles, indeed, stand as one of Melbourne’s most remarkable destinations for photography.

At Cape Woolamai’s Pinnacles on Phillip Island, the boulder rocks are covered with vibrant green moss, creating a striking contrast against the pink granite formations. These ancient rocks, formed approximately 360 million years ago from slowly cooled molten magma, have been sculpted over time by relentless ocean waves and winds. The moss thrives in the moist, salty air, adding a lush texture to the rugged landscape. This natural tapestry enhances the visual appeal of the area, making it a popular spot for photographers and nature enthusiasts alike. The combination of geological history and thriving plant life exemplifies the dynamic beauty of this coastal environment


Sony A7RV

FE 16-35mm f2.8 GM

Linking Sky Watch Friday




Thursday, June 26, 2025

London Bridge, Portsea, Mornington Peninsula for Water H2O Thursday

 


Joel and I once again found ourselves in this picturesque corner of Melbourne, drawn by the timeless beauty of the coast at Portsea. The tide had risen halfway, lapping gently at the shore, and we took the opportunity to capture another image of the sea cave before the encroaching waves swallowed the space entirely.

This site, known as London Bridge, holds a quiet majesty shaped by millennia of natural forces. Carved by the relentless action of wind and water, the arch once formed a striking natural bridge jutting into the Bass Strait. For decades, it stood as a proud sentinel of the Mornington Peninsula, a favourite among visitors and locals alike.

However, in 2005, the bridge partially collapsed—its central span giving way to the ocean’s persistent erosion. What remains now is a rugged, windswept fragment of its former grandeur, a solemn reminder of nature’s power to both create and undo. Today, as the sea reclaims the cave below, we are reminded not only of the fragility of these coastal formations but also of the fleeting moments we are fortunate enough to witness.


Sony A7RV

FE 35mm f1.4 GM




Linking Water H2O Thursday



Friday, June 20, 2025

Bridgewater Bay, Mornington Peninsula Sunset for Skywatch Friday

 


No foreground is discernible save for the advancing waves, their restless motion ever drawing the eye. Above, the golden sky is suffused with a deep, rich orange hue, casting a solemn glow upon the scene. Upon the distant horizon to the right, two ships are faintly discerned, their silhouettes a testament to the era when maritime vessels plied these waters, linking the burgeoning settlements of Melbourne with distant lands. The cliffs of Bridgewater Bay, steeped in history, stand guard nearby—once a silent witness to the passage of explorers and traders who shaped the destiny of this southern shore.

Sony A7RV

FE 70-200mm f4 G


Linking Sky Watch Friday





Thursday, June 19, 2025

Montforts Beach Sunset Mornington Peninsula for Water H2O Thursday

 


Montforts Beach, nestled along the wild and windswept southern coast near Melbourne, remains one of the few coastal enclaves where photographers may still pursue the elusive golden hour even during the rise of high tides. This hidden gem, rarely frequented due to its seclusion, offers a dramatic tableau of nature’s enduring craftsmanship. Towering cliffs of ancient sandstone, layered with millennia of geological memory, descend into tessellated basalt formations—remnants of long-extinct volcanic activity that once shaped the Mornington Peninsula. The beach itself, a narrow strip of coarse golden sand, lies hemmed in by rock pools, tidal shelves, and kelp-strewn shallows, all bathed in the shifting hues of the setting sun.

Yet the approach to this remarkable place has grown increasingly difficult. What was once a discernible trail has, in recent seasons, been overtaken by vigorous coastal vegetation. Low-hanging tea-trees twist and arch over the track, their limbs heavy with salt-laden air, while dense undergrowth of banksia, bracken, and coastal wattle obscure the path beneath. The bush seems to reclaim the land with a quiet persistence, and each step forward requires both care and instinct.

On this most recent journey, Joel and I found ourselves disoriented amid the overgrowth. The once-familiar route seemed to vanish into the thicket, and we moved forward more by memory and determination than by sight. Despite the hardship of the passage—scratched limbs, uncertain footing, the whisper of the wind bearing no answer—we pressed on, compelled by the promise of what lay beyond. And at last, as the trail opened up to the vast, moody expanse of sea and stone, we were reminded why Montforts remains, for all its resistance, a sacred haunt of light and solitude.


Sony A7RV

FE 20-70mm f4 G

Linking Water H2O Thursday






Tuesday, June 17, 2025

Sydney Lunar Park at night for Treasure Tuesday

 











I have visited Sydney on numerous occasions, as is common for many Australians. My travels to the city have largely been for professional purposes, primarily attending conferences. In earlier years, I would often confine myself to the sterile interiors of hotel rooms, sustaining myself on provisions purchased from nearby supermarkets, venturing little into the urban sprawl beyond.

However, my perspective on cities such as Sydney and Melbourne—so often dismissed as soulless concrete jungles—began to shift a few years ago. I came to appreciate them not merely as landscapes of steel and stone, but as living theatres of culture. I developed a fondness for photographing their architecture, their people, and the fleeting moments that give life to the metropolis.

On a recent visit during the Vivid Sydney festival, I made a point to attend Luna Park—an iconic amusement park that dates back to 1935, nestled at the foot of the Sydney Harbour Bridge. This historic park, with its whimsical Art Deco facade and famous smiling face entrance, has long been a fixture of Sydney’s shoreline. Though it had often been closed during my previous visits, its gates were open on weekend evenings for the duration of the festival. Encouraged by the opportunity, I purchased my ticket in advance and resolved to explore its grounds.

Regrettably, my experience at the entrance was far from pleasant. The staff tasked with managing entry proved disorganised, and their conduct was discourteous and inattentive. The queue stretched the entire length of the wharf, winding beside the harbour. Upon finally entering the park, I found myself captivated not by the amusements, but by the sight of young performers dressed in resplendent carnival fashion—evocative of an era I have only seen through the lens of old cinema. There was a glamour to their attire that delighted me as a photographer and observer of human expression.

I chose to forgo the rides, many of which appeared both uninspiring and, frankly, of questionable safety. However, my visit took an unfortunate turn when I was abruptly approached by security personnel demanding a wrist identification band—an item I had not received at the gate, despite possessing a valid ticket with barcode. Their accusatory tone and my subsequent escort to the front gate to rectify the error left me feeling humiliated and unjustly treated. It was a sobering reminder of how poorly systems of order and hospitality can sometimes serve paying guests.

Despite this, a moment of joy emerged as I passed through a corridor ominously referred to as the "clown lane." The clowns—grotesque in design, with a macabre charm—might have unsettled others, but I found the absurdity delightful. I laughed aloud as I snapped photographs, grateful for having brought my 14mm f/1.8 lens, which allowed me to capture vivid images even in low light.

Joel, for his part, does not share my enthusiasm for such spectacles (he decided not to come from Melbourne), and so I ventured to Luna Park alone. In hindsight, while the experience was marred by poor management, it nonetheless offered a glimpse into the layered strangeness and splendour of Sydney’s cultural life—a city more nuanced than its concrete shell might suggest.


Sony A7RV

FE 14mm f1.8 GM

Linking Treasure Tuesday




Monday, June 16, 2025

Chippendale Murals in Sydney for Mural Monday

 





Whilst in Sydney, I set myself the quiet task of wandering from suburb to suburb in search of mural art. I made no attempt to hire a motorcar, nor did I feel drawn to the coastlines or national parks; rather, I devoted myself to the intricacies of the city’s urban sprawl, traversing it solely on foot. Yet the endeavour proved less rewarding than I had hoped. The streets of Sydney, for all their breadth and bustle, yielded few treasures compared to the vibrant abundance of murals that grace Melbourne’s laneways.

The first piece I encountered was by Adnan—an artist of considerable renown, whose work carries the weight of legend. But beyond that, the city’s walls had largely been marred by careless tags, their original images so disfigured that one could scarcely make out what once lay beneath. Still, there was a strange solace to be found in Chippendale, a suburb now softened by gentrification. Among its quiet decay, I captured with my lens the solemn beauty of forsaken buildings—forgotten places, imbued with a melancholy charm all their own.

Sony A7RV

FE 20-70mm f4 G

Linking Mural Monday