Signs on Flinders St and Swanston St Melbourne for Sign2

 

The first photograph was taken at the renowned Young and Jackson Hotel, an enduring landmark situated in the heart of Melbourne’s central business district. Established in 1861, this historic hotel has long been celebrated for its distinctive Victorian architecture and rich cultural heritage. Beyond its architectural and social significance, the hotel is perhaps most famously associated with tales of the supernatural. According to local legend, the spirit of a former barmaid named ‘Jane’ is said to haunt the premises. It is believed that Jane met a tragic end within the hotel’s walls, and since then, numerous patrons and staff have reported unexplained phenomena—whispers, fleeting shadows, and sudden drops in temperature—giving the establishment an eerie yet compelling allure. These ghostly tales have cemented the Young and Jackson Hotel as one of Melbourne’s most haunting and storied sites, attracting both history enthusiasts and those intrigued by the paranormal.

Following this, the image depicting the juice bars along Swanston Street was taken; these establishments continue to operate, serving a steady stream of patrons.

Sony A7RV 

FE 20-70m f4 G

Linking Sign2

** A glitch that this was posted on Tuesday instead of Wednesday. 

Makatron's basketball mural in Fitzroy Melbourne for Mural Monday

 

In the heart of Fitzroy, Melbourne, a vivid and commanding mural by renowned street artist Makatron stretches across a building wall, celebrating the legacy of basketball legends with unmistakable flair. Boldly coloured and rich in caricature detail, the mural features iconic players from the Chicago Bulls, including the unmistakable figure of Michael Jordan, alongside animated expressions, dynamic poses, and even the team’s red mascot brought to life with oversized sunglasses. Known for his large-scale, pop-surrealist works, Makatron infuses this piece with both nostalgia and urban energy, turning a quiet laneway into a vibrant homage to sporting greatness. The mural not only showcases his signature comic-inspired style but also contributes to Fitzroy’s reputation as a living gallery of contemporary street art

Sony A7RV

FE 20-70mm f4 G

Linking Mural Monday

European Goldfinches at Cranbourne Garden in Melbourne for Saturday Critter

 

This journey took place during the autumn months, when Joel and I set out in hopes of observing some rare and exotic bird species. However, our efforts were met only with sightings of European Goldfinches.

Despite the absence of more unusual birds, the presence of the European Goldfinch (Carduelis carduelis) offered its own quiet charm. Native to Europe, North Africa, and western Asia, this species has long held a place in human culture and history, admired for its striking plumage and melodic song. During the Middle Ages, the goldfinch was frequently featured in Christian iconography, symbolising endurance and the soul’s resurrection due to its association with thistle plants—linked to the Passion of Christ.

Biologically, the European Goldfinch is a small passerine bird belonging to the finch family (Fringillidae). It is easily recognised by its bright red face, black-and-white head, and warm golden wing-bars. These birds are primarily seed-eaters, favouring thistles and teasels, and their slender, pointed beaks are well-adapted for this purpose. Social and often found in flocks, they are a common sight across much of their range, thriving in open woodlands, orchards, and gardens.

Though not the exotic encounter we had envisioned, the experience served as a reminder that even the familiar, when seen with attention, carries its own elegance and significance.

Sony A7RV

FE 200-600mm f5.6-6.3 

Linking Saturday Critter

Rone's Mural in Fitzroy Melbourne for Mural Monday

 

Rone: Street Artist of Elegance and Decay in Fitzroy, Melbourne

Rone, the pseudonym of Tyrone Wright, is one of Melbourne’s most renowned street artists, celebrated internationally for his hauntingly beautiful portraits of women that grace crumbling walls and forgotten spaces. His murals evoke a compelling contrast between beauty and decay—a central theme that has come to define his aesthetic. Nowhere is this more evocatively expressed than in the streets of Fitzroy, Melbourne’s cradle of bohemian culture and urban creativity.

In Fitzroy, Rone’s work is woven into the very fabric of the suburb. His large-scale murals typically depict elegant female faces rendered with painterly precision—eyes soft, melancholic, and distant, as though they belong to fading memories of another time. These portraits often occupy weathered surfaces, where peeling paint and exposed brick are not flaws but integral elements of the work, symbolising impermanence and the quiet erosion of beauty by time.

One of Rone’s most famous Fitzroy murals was painted on the side of the Young Husband Wool Store, and another memorable piece graced a wall along Napier Street. Though some of his Fitzroy works have since disappeared—painted over, demolished, or reclaimed by the environment—their spirit lingers in photos, archives, and in the visual memory of the community. These transient masterpieces underscore one of Rone’s key messages: beauty is fleeting, and so is the space it occupies.

Rone’s Fitzroy murals are more than art; they are monuments to emotion, atmosphere, and the tension between urban life and artistic stillness. In a city constantly changing, his work offers a quiet pause—inviting passersby to stop, feel, and remember.

Sony A7RV

FE 20-70mm f4 G

Linking Mural Monday

Bridgewater Bay Blairgowrie for Water H2O Thursday

 

There has been scarcely any significant low tide in recent months along this stretch of coast. Thus, I seized a brief moment to capture a photograph from the stairway, looking down toward the shore. Nearby, one of the sand cliffs has given way, its collapse engulfing the entire shoreline beneath a shroud of earth and debris.

This took place at Bridgewater Bay, situated in Blairgowrie on the Mornington Peninsula, south of Melbourne. Renowned for its rugged coastal beauty, Bridgewater Bay features sweeping limestone cliffs, secluded rock pools, and crescent-shaped sands that are accessible only during favourable tides. In calmer times, its natural amphitheatre and tidal platforms attract walkers and beachcombers alike. Yet nature’s forces here are ever at play — carving, shaping, and at times overwhelming the very landscape they adorn.

Sony A7RV

FE 20-70mm f4 G

Linking Water H2O Thursday

Bar Mural in St Kilda Melbourne for Mural Monday

 

The magnificent mural depicting a giant bat with richly textured wings and dreamlike imagery is most assuredly Release the Bats, a work by the accomplished Australian artist Hayden Dewar. Completed in August 2023 under the commission of the Port Phillip Council, the mural adorns the wall at 6 Belford Street in St Kilda, Melbourne. Dewar, known for his vivid visual storytelling and imaginative use of colour and form, has here rendered a surreal grey-headed flying fox soaring through a vibrant landscape interwoven with motifs drawn from the local environment—native flora, references to Luna Park, the surrounding live music culture, and the coastal charm of St Kilda.

Joel and I had come to the area that day for an Italian luncheon and, by happy fortune, managed to secure a rare parking space nearby. The artwork, set against the bright tones of the streetscape, provided an unexpected and captivating visual delight—its fantastical scale and layered symbolism leaving a lasting impression.

Sony A7RV

FE 20-70mm f4 G

Linking Mural Monday

Tenby Point, Gippsland for Water H2O Thursday

 

Tenby Point is but a modest township situated on the fringe of metropolitan Melbourne. Access to the beach lies discreetly beside the rear gate of a local residence, with space for merely two vehicles. The area is best approached during low tide, for the path leads across muddy flats rather than firm sand. The seabed itself is composed entirely of soft, viscous sludge—mud that I invariably carry into Joel’s car. For this reason, we seldom visit during summer. Instead, we favour the winter months, when the weather deters us from venturing far afield, and proximity becomes a comfort.

The aged pylons that rise solemnly from the tide are favoured subjects for photography. There is, I believe, a quiet significance to our collective urge to document them—perhaps a longing to preserve a vestige of a bygone era, or a reverence for the passage of time made manifest in timber and tide.

Presently, I am soon to commence another locum shift in regional Victoria—a favour rendered to a friend. Consequently, my blog may, on occasion, fall silent for a day or two, owing to the unpredictable demands of being on call at a country hospital. I only hope this venture does not once again lead me down the path of indulgence and weight gain, as such postings sometimes do.

Sony A7RV

FE 20-70mm f4 G

Linking Water H2O Thursday

Martin Place Sydney Signs for Sign2

 

Many of the buildings and interiors bore a striking resemblance to those found in Melbourne. At times, I found myself reflecting on how modern cities, despite their geographic distances and cultural distinctions, often share a uniformity in design and atmosphere. The steel and glass façades, the sleek minimalist interiors, and the ubiquitous presence of international retail chains contribute to a certain sameness that transcends borders. It is as though the identity of place is increasingly shaped by global architectural trends rather than local character. One might wander from one metropolis to another and, for a fleeting moment, forget which city they are truly in.

Sony A7RV

FE 20-70mm f4 G

Linking Sign2

West Gate Park Melbourne for Treasure Tuesday

 

We had initially set our sights on Sandridge Bridge, intending to capture the city skyline at sunset. Much to our surprise and disappointment, the entire area had been cordoned off, denying us access. Undeterred, we sought an alternative vantage point that might render the excursion worthwhile. We turned our course towards Westgate Park, only to discover that it too was undergoing extensive construction works—an added frustration.

Nonetheless, perseverance led us to a suitable spot from which to photograph the twilight. The gentle hues of dusk, softened by the encroaching night, provided some consolation.

Westgate Park itself, situated along the banks of the Yarra River beneath the West Gate Bridge, has long served as a haven for birdlife and city dwellers alike. Once a barren expanse of industrial wasteland, it was transformed during the 1980s as part of Melbourne’s urban greening initiatives. The park is especially known for its striking pink lake—a seasonal natural phenomenon caused by the proliferation of salt-loving algae under specific climatic conditions.

The current redevelopment seeks to enhance visitor access, restore native habitats, and improve ecological sustainability. Though temporarily inaccessible, it promises to return as an even more vibrant urban refuge.

Our evening concluded at a nearby Japanese restaurant, where we sought comfort in freshly pan-fried gyoza. Joel, in high spirits, treated himself to a small carafe of sake—rounding off a day that, though unplanned in its course, retained its moments of charm and reward.

Sony A7RV

FE 20-70mm f4 G

Linking Treasure Tuesday

Fitzroy Mural in Melbourne for Mural Monday

 

This mural is situated within a narrow laneway in Fitzroy, Melbourne, now heavily adorned with layers of graffiti and street art. Once a standalone piece, it has since become part of the ever-evolving urban tapestry for which Fitzroy is renowned.

Fitzroy, established in 1839, holds the distinction of being Melbourne's first suburb. Originally developed for the working class, it soon became known for its row houses, bluestone laneways, and bustling community life. By the mid-20th century, Fitzroy had evolved into a melting pot of cultures, attracting waves of immigrants and fostering a rich tradition of activism, creativity, and bohemian spirit.

In recent decades, the suburb has become a vibrant centre for the arts, with its walls serving as open-air galleries for muralists and street artists from around the world. Though once associated with countercultural resistance, the area now walks a fine line between gentrification and artistic preservation. This mural, layered with the marks of many hands, is emblematic of Fitzroy’s ongoing dialogue between history, community, and expression.

Sony A7RV

FE 20-70mm f4 G

Linking Mural Monday

Bay of Islands in Blairgowrie Mornington Peninsula for Water H2O Thursday

 

There exist three distinct locations bearing the name Bay of Islands within the state of Victoria, Australia. I have had the pleasure of visiting each of them. Of these, the one situated closest to Melbourne holds a particular charm for me. Nestled along the Mornington Peninsula, this coastal enclave offers a striking interplay of sea cliffs, hidden inlets, and crystalline waters—ideal for moments of quiet reflection or aerial exploration.

When my companion Joel and I are not preoccupied with the pursuit of sunset landscapes, we often retreat to this locale to fly our drone and capture sweeping views of the coastline. The rugged contours and tranquil hues lend themselves beautifully to this form of observation.

The second Bay of Islands lies within the famed Great Ocean Road region, west of Peterborough. This is perhaps the most well-known of the three, celebrated for its dramatic limestone stacks rising from the Southern Ocean—remnants of a landscape carved by centuries of wind and wave.

The third, more remote and lesser known, is found near the shores of Corner Inlet in Gippsland. Here, coastal serenity and the subtle presence of birdlife create a setting marked by calm rather than spectacle. Each Bay of Islands bears its own character, yet all share the same elemental spirit—where land meets sea in timeless conversation.

Linking Water H2O Thursday

Star fish at Mount Martha Melbourne for Saturday Critter

 

While walking along the coast near Mount Martha, I came upon this starfish resting just beneath the water’s surface. Though it is a known marine pest along our shores, I could not help but appreciate the quiet moment when it appeared beside my feet as I was photographing the sea.

The image depicts a sea star—also known as a starfish—positioned upon a bed of green algae and submerged vegetation. Notably, it possesses more than the customary five arms, suggesting it may belong to a multi-armed species such as the Solaster, commonly referred to as the sun star.

These creatures are marine echinoderms, distinguished by their radial symmetry and numerous tube feet, which they employ to navigate the ocean floor. This specimen was observed in a shallow, tranquil coastal pool, where the clarity of the water revealed the richness of the marine flora beneath.

Sony A7RV

FE 70-200mm f4 G

Linking Saturday Critter

Pinnacles Milkyway Cape Woolamai for Skywatch Friday

 

I have not engaged in much astrophotography over the past two years. The notion of spending an entire night outdoors—particularly at such an exposed and windswept location as the Pinnacles at Cape Woolamai—has ceased to hold the charm it once did. What was once a beloved pastime now feels more akin to an obligation. The glow visible on the horizon is the light pollution emanating from the distant city of Melbourne, which has, regrettably, diminished the appeal of this location for many photographers.

Captured using a Sony A7R V paired with the FE 14mm f/1.8 GM lens.

Linking Skywatch Friday

Flinders Blowhole Mornington Peninsula for Water H2O Thursday

 

This photograph was taken during our previous excursion to Flinders Blowhole on the Mornington Peninsula, a destination chosen for its proximity to our residence in Melbourne. At the time, Joel and I favoured locations that required only a short drive. Presently, Joel finds himself occupied with visits from his in-laws, who travel frequently from Sydney—ostensibly, he believes, to spend time with their grandchildren. As for myself, I am presently taking a respite from coastal outings, having developed a growing interest in exploring the urban landscape instead.

Sony A7RV

FE 20-70mm f4 G

Linking Water H2O Thursday

De Grave Place Melbourne Signs for Sign2

 

The signage around this quarter marks some of my favourite locales—there is something distinctly Melburnian about their character, at least as captured through the lens. Nowhere is this more evident than in Degraves Place, nestled in the very heart of Melbourne’s central business district.

Degraves Place, and its adjoining laneway Degraves Street, take their name from the Degraves family, early settlers and entrepreneurs in colonial Victoria. William and Charles Degraves arrived from Hobart in the 1850s and quickly established themselves as prominent figures in Melbourne’s flour milling industry. Their enterprise, the Degraves Mill, once stood near the banks of the Yarra, a symbol of industrious ambition in the young colony.

Today, Degraves Place is emblematic of Melbourne’s famed laneway culture—an elegant mingling of past and present. Beneath its heritage façades and weathered brickwork lie cafés, galleries, and small boutiques, alive with the hum of conversation and the aroma of espresso. The signs that adorn these narrow passages are not mere markers—they are storytellers of a city that thrives on character, contrast, and continuity.

Sony A7RV

FE 14mm f1.8 GM

Linking Sign2

Vue De Monde Melbourne for Treasure Tuesday

 

Roast Eel 

Smoked cocktail

Picked Oyster

Caviar on pumpkin mesh

Merren 3 eats

Pineapple sorbet with floral crisps

Cured Kangaroo meat 

We are getting older 

Souffle 

Joel’s birthday was celebrated just last week, an occasion for which I had secured a reservation no less than three months in advance. The booking, as expected, was gone within minutes of the reservation page opening—testament to the enduring allure of this esteemed establishment, which has held its place among Melbourne’s finest dining destinations for over a quarter of a century. Indeed, having now dined at virtually every hatted restaurant in the city, it feels as though we are truly savouring the richness of life’s finer pleasures.

For this special evening, we were seated at Vue de Monde, a culinary landmark atop the Rialto. The evening unfolded with an elegant succession of courses—each a thoughtful homage to native Australian ingredients and refined technique. There was the delicate smoked eel with white chocolate and caviar, a bold yet balanced expression of contrasts. The Western Australian marron arrived perfectly poached, nestled in a vivid green sauce of Geraldton wax and finger lime. A course of Flinders Island lamb followed, prepared with such precision that it seemed to melt upon the tongue. Even the bread service—a warm, crusty sourdough with house-cultured butter—was elevated to a ceremonial delight.

The degustation concluded with an exquisite arrangement of petit fours: wattleseed macarons, eucalyptus marshmallows, and a hand-churned ice cream, theatrically frozen in liquid nitrogen at the table. Each dish was presented with care, matched by service that was both attentive and effortlessly refined.

To commemorate the occasion visually, I brought along my new Sony 16mm f1.8 lens. Its compact form and brilliant aperture made it an ideal companion for capturing the quiet drama of the dining scene—the glint of glassware, the sheen on porcelain, the gentle fall of candlelight on plated artistry.

Sony A7RV

FE 16mm f1.8 GM

Linking Treasure Tuesday

Spencer St Mural by Adnate for Mural Monday

 

Adnate, a well-known Australian street artist celebrated for his large-scale portraiture.

Adnate, whose real name is Matt Last, hails from Melbourne and has gained international recognition for his powerful and emotive murals that often portray Indigenous Australians, elders, and youth with dignity and strength. His work typically blends realism with street art techniques, using spray paint to capture striking expressions and profound cultural narratives.

In this image, Adnate's signature style is clear—deeply human faces with intense, expressive eyes, rendered with photorealistic detail against a more abstract or symbolic background. The mural’s subjects—likely community members or individuals of personal or cultural significance—are depicted with great reverence, a hallmark of Adnate's work.

You can find his other murals in cities around the world, but many of his most iconic pieces are right in Melbourne, on the walls of buildings just like this one, often contributing to broader dialogues about identity, history, and resilience.

Sony A7RV

Sigma 14-24mm f2.8

Linking Mural Monday

Pinnacles, Cape Woolamai, Victoria for Skywatch Friday

 

What I truly seek is a sky adorned with fish-scale clouds. The Pinnacles, indeed, stand as one of Melbourne’s most remarkable destinations for photography.

At Cape Woolamai’s Pinnacles on Phillip Island, the boulder rocks are covered with vibrant green moss, creating a striking contrast against the pink granite formations. These ancient rocks, formed approximately 360 million years ago from slowly cooled molten magma, have been sculpted over time by relentless ocean waves and winds. The moss thrives in the moist, salty air, adding a lush texture to the rugged landscape. This natural tapestry enhances the visual appeal of the area, making it a popular spot for photographers and nature enthusiasts alike. The combination of geological history and thriving plant life exemplifies the dynamic beauty of this coastal environment

Sony A7RV

FE 16-35mm f2.8 GM

Linking Sky Watch Friday

London Bridge, Portsea, Mornington Peninsula for Water H2O Thursday

 

Joel and I once again found ourselves in this picturesque corner of Melbourne, drawn by the timeless beauty of the coast at Portsea. The tide had risen halfway, lapping gently at the shore, and we took the opportunity to capture another image of the sea cave before the encroaching waves swallowed the space entirely.

This site, known as London Bridge, holds a quiet majesty shaped by millennia of natural forces. Carved by the relentless action of wind and water, the arch once formed a striking natural bridge jutting into the Bass Strait. For decades, it stood as a proud sentinel of the Mornington Peninsula, a favourite among visitors and locals alike.

However, in 2005, the bridge partially collapsed—its central span giving way to the ocean’s persistent erosion. What remains now is a rugged, windswept fragment of its former grandeur, a solemn reminder of nature’s power to both create and undo. Today, as the sea reclaims the cave below, we are reminded not only of the fragility of these coastal formations but also of the fleeting moments we are fortunate enough to witness.

Sony A7RV

FE 35mm f1.4 GM

Linking Water H2O Thursday

Bridgewater Bay, Mornington Peninsula Sunset for Skywatch Friday

 

No foreground is discernible save for the advancing waves, their restless motion ever drawing the eye. Above, the golden sky is suffused with a deep, rich orange hue, casting a solemn glow upon the scene. Upon the distant horizon to the right, two ships are faintly discerned, their silhouettes a testament to the era when maritime vessels plied these waters, linking the burgeoning settlements of Melbourne with distant lands. The cliffs of Bridgewater Bay, steeped in history, stand guard nearby—once a silent witness to the passage of explorers and traders who shaped the destiny of this southern shore.

Sony A7RV

FE 70-200mm f4 G

Linking Sky Watch Friday