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Showing posts with label mansion. Show all posts
Showing posts with label mansion. Show all posts

Saturday, October 17, 2026

Werribee Mansion in Melbourne for Black and White Community

 



Looking back at the photographs I took at Werribee Mansion, I realise they may find a more compelling voice in monochrome. There is something about the mansion’s haunted reputation, its imposing architecture and the weight of its history that seems to lend itself to black and white. Stripped of colour, the interiors take on a darker, more desolate character, as though the walls still hold whispers of another time, and the elegance of the rooms is shadowed by an underlying sense of melancholy and despair.

I have always been drawn to the history and architecture of this remarkable place. Its interiors possess a refined elegance, rich in detail yet quietly imposing. At the time, my photographic style leaned towards simplicity and a clean, restrained rendition of the scene. Perhaps monochrome offers another way of seeing the mansion, allowing light, shadow, texture and silence to tell a deeper story, where beauty and decay, grandeur and loneliness exist side by side.



Sony A7RV

Laowa 9mm f5.6 



Linking Black and White Community



Saturday, August 1, 2026

Wu Feng Lin House in Taichung for black and white community

 


A panoramic frame taken on my phone inside the Wufeng Lin Family Mansion and Garden in Taichung, one of Taiwan’s most remarkable surviving Qing-dynasty residences. Once the home of the powerful Lin family of Wufeng—one of Taiwan’s great traditional gentry families—the complex grew during the nineteenth century into an extraordinary world of courtyards, residences, gardens and ceremonial spaces. The family had crossed from Fujian to Taiwan during the Qing era, and through military service, commerce and cultural influence became one of the island’s most prominent clans.

The mansion is not simply a single house, but an intricate architectural ensemble divided into the Upper Mansion, Lower Mansion and Laiyuan Garden. Its buildings embody the Minnan tradition brought across the Taiwan Strait: symmetrical courtyards, successive halls arranged along a central axis, red-brick walls, timber columns, carved beams and elaborate rooflines. The Lower Mansion’s Gongbaodi, begun in 1858 by Lin Wencha, was later expanded into a grand five-courtyard, eleven-bay residence. After Lin Wencha was posthumously granted the title of Junior Guardian of the Crown Prince in 1864, the residence became known as Gongbaodi—the only surviving Qing-era first-rank official residence in Taiwan.

Beyond the formal halls lies the Great Flower Hall, once a place for banquets and theatrical performances, while the Laiyuan Garden was created in 1893 by Lin Wenqin for his mother and later became a gathering place for poets and scholars.

Against such a deep historical backdrop, this panorama felt almost like looking through a window in time. The wide perspective exaggerates the rhythm of columns, courtyards and receding roofs, giving the old mansion an unusual sense of depth and grandeur. I chose black and white deliberately: without the distraction of colour, the carved timber, weathered brick, sweeping rooflines and deep shadows become the true protagonists. The photograph seems to strip away the present and leave only structure, light and memory—the quiet dignity of a dynasty that has long disappeared, yet still lingers in these walls.




Linking Black and white community


Sunday, April 16, 2023

Werribee Mansion for Sunday Best

 


Last weekend, it was a trip to this haunted house due to severe storm in Melbourne. 

Sony A7RV

Laowa 9mm f5.6


Linking Sunday Best