A week ago, during our visit to the old Lake Sanatorium in Mount Macedon, the mountain seemed swallowed whole by fog. The air was cold and wet against the skin, carrying that earthy scent of damp bark, fallen leaves, and hidden fungi that always follows the forest after rain. Joel and I wandered quietly through the grounds, foraging for mushrooms among the moss and decaying timber, our footsteps softened by the thick carpet of pine needles beneath us.
The lake itself emerged only in fragments through the mist, as though reluctant to reveal its full shape. Built originally as part of the old tuberculosis sanatorium grounds, the small artificial lake sits tucked within towering conifers and mountain ash, its stillness lending the entire place an unsettling beauty. In fog, it becomes something almost cinematic — a scene from an old horror film where silence feels too complete and every shadow appears to be watching. The outlines of the trees dissolved into pale grey vapour, their reflections stretching across the dark water like ink bleeding into glass.
I could not resist stopping for a photograph. Ironically, I had only the macro lens mounted at the time, hardly the ideal choice for landscapes, yet perhaps it suited the mood better than anything else could have. The narrow field of view compressed the scene into layers of ghostly trunks and mirrored reflections, drawing attention to the delicate textures of mist upon water rather than the lake itself. Through the lens, the reflections appeared almost painterly — skeletal trees suspended upside down in a silver void, broken only by the faintest ripple across the surface.
For a moment the entire mountain felt suspended outside time: no wind, no birdsong, only fog drifting slowly between the trees while the lake held their reflections in perfect silence.
Sony A7RV
Sigma 105mm f2.8 Macro
Linking Water H2O Thursday





