Wu Feng Lin House in Taichung for black and white community

 

A panoramic frame taken on my phone inside the Wufeng Lin Family Mansion and Garden in Taichung, one of Taiwan’s most remarkable surviving Qing-dynasty residences. Once the home of the powerful Lin family of Wufeng—one of Taiwan’s great traditional gentry families—the complex grew during the nineteenth century into an extraordinary world of courtyards, residences, gardens and ceremonial spaces. The family had crossed from Fujian to Taiwan during the Qing era, and through military service, commerce and cultural influence became one of the island’s most prominent clans.

The mansion is not simply a single house, but an intricate architectural ensemble divided into the Upper Mansion, Lower Mansion and Laiyuan Garden. Its buildings embody the Minnan tradition brought across the Taiwan Strait: symmetrical courtyards, successive halls arranged along a central axis, red-brick walls, timber columns, carved beams and elaborate rooflines. The Lower Mansion’s Gongbaodi, begun in 1858 by Lin Wencha, was later expanded into a grand five-courtyard, eleven-bay residence. After Lin Wencha was posthumously granted the title of Junior Guardian of the Crown Prince in 1864, the residence became known as Gongbaodi—the only surviving Qing-era first-rank official residence in Taiwan.

Beyond the formal halls lies the Great Flower Hall, once a place for banquets and theatrical performances, while the Laiyuan Garden was created in 1893 by Lin Wenqin for his mother and later became a gathering place for poets and scholars.

Against such a deep historical backdrop, this panorama felt almost like looking through a window in time. The wide perspective exaggerates the rhythm of columns, courtyards and receding roofs, giving the old mansion an unusual sense of depth and grandeur. I chose black and white deliberately: without the distraction of colour, the carved timber, weathered brick, sweeping rooflines and deep shadows become the true protagonists. The photograph seems to strip away the present and leave only structure, light and memory—the quiet dignity of a dynasty that has long disappeared, yet still lingers in these walls.

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