Joel and I drove down toward the southern edge of the Mornington Peninsula, chasing the promise of a generous tide. Along this stretch of coast near Balnarring Beach, the sea can be theatrical at dusk—when wind, moon, and current conspire, waves climb the timber pylons and strike them high, flinging light into spray as the sun dissolves beyond Cape Schanck.
We had come for that spectacle: high water at sunset, the pylons braced against a rising, copper-lit sea. But the ocean keeps its own counsel. The tide was only halfway in—ambitious, but not yet triumphant. Instead of thunder at the posts, there was a measured breathing: long, slanting lines of swell shouldering up the shore, then slipping back with a whisper.
This coast answers to the wide fetch of Bass Strait. Its tides are typically semi-diurnal—two rises and two falls each day—yet the amplitude here is modest compared with the great estuaries further north. Wind often proves the decisive hand. A southerly can heap the water higher against the beach; a still evening leaves the sea contemplative, content to polish the sand rather than assault the timber.
So we recalibrated. I framed the half-filled shoreline, where wet sand mirrored the afterglow and the pylons stood patient, waiting their hour. The receding water braided silver channels around their bases, and the horizon held a low, molten seam of light. Not the drama we had scripted, perhaps—but a quieter tide, attentive and exacting, offering its own kind of grace.
Sony A7RV
FE 70-200mm f4 G
Linking Water H2O Thursday

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