There was a time when I did not care for long-exposure photography. I preferred instead the water in its “natural” state, unsoftened, its surface rippling and restless, rather than rendered into a silken blur. Yet I must concede that the long-exposed image has its own particular merit, offering a dreamlike interpretation of movement and time.
The Powlett River, near Kilcunda on Victoria’s south coast, is no grand stream but rather a modest watercourse, carving a narrow channel through the sand before it yields itself to the Bass Strait. I am fond of it precisely for this reason: it is unassuming, like a quiet canal pressed into the earth. The river originates in the foothills near Wonthaggi and meanders through farmland and wetlands before finding its way to the ocean. Its estuary, fringed by dunes and saltmarsh, provides habitat for birdlife such as herons, egrets, and the shy Latham’s snipe, while native grasses and coastal scrub bind the shifting sands against the sea winds.
Though small in scale, the Powlett has played a quiet but enduring role in the natural and human history of the district. The Bunurong people knew its waters and fished its estuary long before European settlement. In the nineteenth century, the river valley served as fertile ground for agriculture and grazing. Today, it is valued both as a place of ecological significance and as a site of tranquil beauty—its modest waters flowing steadily toward the restless ocean, unchanged in essence by the passing of time.
Sony A7III
Canon 35mm f1.4 L
Linking Treasure Tuesday
Beautiful landscapes! Take care, have a great day!
ReplyDeleteThank you Eileen
DeleteThese are stunning :-D
ReplyDeleteEver since Joel drives an electric car, we stop driving to this area which requires longer battery life to commute to
DeleteBeautiful and soothing.
ReplyDeleteWater therapy
DeleteNicely composed photo!
ReplyDeleteThank you Bill
DeleteI love the way the light is on the sand, and the waves capture!
ReplyDeleteAt right time at right spot
DeleteLas dos fotos me parecen geniales pero la segunda es mi favorita por esa paleta de colores . En especial ese tono rojizo del agua, que puede denotar su alto contenido en hierro.
ReplyDeleteSaludos.
Yes, something interesting about the water
DeleteI have a FB reader who dislikes any long exposure smoothing of water that I do, and I don't do it excessively. My answer is that to some extent that is how our eyes see it. I mean, our eyes don't stop the action at 1/500 sec.
ReplyDeleteI think this sort of people are rigid in personality.
DeleteBeautiful landscape and the water is almost alive. Well done!
ReplyDeleteWhatever technique was used for the second photo gave a very interesting effect.
ReplyDeleteBoth photos are wonderful!
ReplyDeleteI love the sky in the first one and the water in the second one!!
Lovely captures.
ReplyDeleteI prefer natural instead of the blur effect, however, sometimes the blur effect is best.
Both work. Each situation calls for for it's own solution. I find that there are times when a bit of long exposure blur makes something look far more natural. I enjoyed this post--- I also enjoyed your comment on Kwarkito's post today.
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