City God Temple HsinChu for Treasure Tuesday

 

In Hsinchu City God Temple, the air is thick with incense and quiet petitions, a place where the human and the unseen brush gently against one another. Lanterns glow in warm reds and golds, their light flickering across carved beams and painted eaves, each surface dense with stories, guardians, and centuries of devotion. The temple does not merely stand—it hums, alive with whispered wishes and the soft shuffle of footsteps across worn stone.

Within its inner sanctum resides the Yue Lao, the old man beneath the moon, keeper of red threads that bind destined hearts. He is, in essence, a distant cousin to Cupid, yet far more patient, more deliberate. Where Cupid’s arrows strike in sudden impulse, Yue Lao ties invisible knots—subtle, enduring connections that draw two lives together across time. Before him, offerings are laid with quiet hope: sweet cakes, fragrant tea, handwritten prayers folded with care. Those who come seek not only love, but the right kind of love—one that endures beyond the first spark.

Beyond the temple gates, the sacred gives way seamlessly to the earthly. The surrounding streets pulse with life, an extension of the shrine’s energy in another form. Vendors call out over the sizzle of oil and rising steam, and the scent of food curls through the air, irresistible and grounding. Here, devotion and appetite coexist without contradiction.

Bowls of four gods soup are ladled out, rich with herbs and slow-simmered depth, said to restore balance to the body as the temple restores something quieter within the spirit. Nearby, the delicate chew of rou yuan offers its own comfort—translucent skin giving way to savoury filling, a small, perfect encapsulation of the island’s culinary craft.

To wander here is to move between realms without noticing the boundary: from prayer to nourishment, from incense smoke to cooking steam, from the quiet hope of the heart to the immediate pleasures of the senses. And in that seamless passage, the visit lingers—not just as memory, but as a feeling, warm and enduring, like a thread quietly tied.

Sony A7RV

FE 16mm f1.8 GM

Linking Treasure Tuesday

Tian Yuan Wuji Temple Taipei for Sunday Best

 

I returned to the Tian Yuan Wuji Temple as one returns to a familiar refrain—recognisable, yet never quite the same. Last year, I had framed it in measured lines and careful symmetry; this time, I came armed with an ultra-wide lens, hoping to bend its vast geometry into something both intimate and grand. The temple resisted at first. Its circular tiers—five rising rings crowned in vermilion and gold—seemed to slip away from perfect alignment, as though symmetry here was never meant to be absolute, only suggested.

Built in the late twentieth century, the temple is a relatively modern devotion, yet it draws deeply from ancient Taoism cosmology. Each level represents a layer of the heavens, a symbolic ascent toward the boundless—wuji, the infinite void before form and division. Standing before it, one feels less like an observer and more like a participant in that quiet metaphysical order, where circles echo eternity and repetition becomes reverence.

But translating that sensation into an image proved far less serene. The ultra-wide lens exaggerated every imperfection; lines bowed, edges stretched, and the near-symmetry became a delicate negotiation rather than a certainty. Light, too, was uncooperative. The temple’s glossy surfaces caught and scattered the sun in sharp bursts, turning glare into an adversary that could not be easily subdued. Frame after frame failed—too harsh, too distorted, too restless.

And yet, persistence has its own rhythm. In the end, this image—imperfect, slightly askew—felt truer to the place than any rigid symmetry could have been. The temple does not demand perfection; it invites approximation, an acceptance of imbalance within harmony. Through the lens, I realised that perhaps the goal was never to conquer the structure, but to listen to it—to let its quiet philosophy guide the frame, even if the lines never quite meet.

Sony A7RV

Laowa 9mm f5.6 

Linking Sunday Best

Tian Yuan Wuji Temple Taipei for Sunday Best

 

I returned to the temple with a quiet hope of redemption—last year I had arrived too late, the cherry blossoms already a memory scattered on the wind. This time, I erred in the opposite direction, arriving too early, when the branches still held their breath, buds clenched tight against the promise of bloom.

Yet absence has its own kind of offering.

I wandered instead into the back garden, where time seemed to loosen its grip. There, paths curved gently through patient trees and textured stone, and light filtered in soft, deliberate strokes—an unspoken invitation to linger. Without the spectacle of blossoms, subtler compositions emerged: shadows resting on moss, the geometry of branches, the quiet dialogue between stillness and space.

It was, in its own restrained way, a gift—one that revealed itself slowly, and generously, to the attentive eye. A place not of missed moments, but of found ones—particularly for those willing to see.

Sony A7RV

Laowa 9mm f5.6 

Linking Sunday Best

Bi Shan Yan Temple, Neihu, Taipei for Sign2

 

I have shared photographs of this temple before, and now I have posted a few new ones. It stands not far from where I once lived in Taipei, a familiar presence along the mountainside. This place is woven tightly into my childhood memory. I often climbed the mountain with my father, step by step, until the red roof of the temple came into view. Those walks were quiet lessons in patience and wonder, the air scented with earth, incense, and the faint echo of bells drifting on the wind.

The first sign simply reads Bi Shan Yan — just that. Yet the name carries the weight of centuries.

Bi Shan Yan sits on a high ridge overlooking the basin below, a vantage point that feels both protective and timeless. Its origins stretch back to the early years of settlement, when a small shrine was first erected on the rocky slope. What began as a modest shelter of stone gradually grew into a full temple complex as generations added halls, terraces, and carved adornments. Over the years it has been rebuilt after storms, expanded by devoted hands, and shaped by the quiet resilience of the community around it.

The temple is dedicated to the revered protector known as the Kaizhang Holy King, a guardian spirit brought from the Fujian region by early migrants. His two loyal generals stand at his side, their presence carved into wood and stone with the solemnity of old devotion. These figures have watched over the hills and valleys for centuries, their legends mingling with the land itself.

Approaching the temple, one passes through a long ascent of stone steps, each bordered by greenery that shifts with the seasons — cherry blossoms in spring, thick shade in summer, the clear sharpness of winter air. The architecture is richly layered: sweeping rooflines adorned with dragons and phoenixes, bright ceramic tiles catching the sun, and columns carved with scenes from myth. The incense coils inside burn slowly, releasing a soft haze that turns the light golden.

From the upper terrace, Taipei stretches out like a living map — rivers winding, buildings rising, mountains holding the horizon. At night, the city becomes a tapestry of lights, and the temple feels like a silent guardian set high above the world.

For me, Bi Shan Yan is not merely a historic site but a place where memory settles gently. Each visit recalls those childhood climbs with my father, the warmth of his hand guiding me, the sense of arrival when the temple finally appeared above the trees. It remains a place where history and personal memory meet — steady, enduring, and filled with the quiet beauty of the past living on in the present.

Sony A7RV

FE 20-70mm f4 G

Linking Sign2

Bi Shan Yan shrine Taipei for Treasure Tuesday

 

In my youth, my father would often take me to Bishan Yan Shrine, a site nestled in the hills of Neihu District, Taipei, renowned for its venerable history and spiritual significance. Established during the Qing Dynasty and later renovated under Japanese rule, the shrine has long stood as a place of reverence, dedicated to Kaizhang Shengwang, the revered pioneer deity of Zhangzhou.

It was before the consecration space of this hallowed site that my father, a man of great hospitality and energy, would lead his kitchen crew in preparing humble yet heartfelt feasts. I recall vividly the times he boiled instant noodles in a great cauldron, serving more than thirty people amidst the wooded serenity of the temple grounds.

Though the atmosphere was lively and filled with laughter, our merriment once drew the ire of the shrine keeper, who, in his duty to uphold the sanctity of the place, admonished my father with sternness. Even so, out of respect and resolve not to waste food, we remained until every last portion had been consumed, after which we departed quietly, leaving behind only the traces of memory and incense in the mountain air.

Sony A7RV

FE 20-70mm f4 G

This is linking Treasure Tuesday

SanXia Temple, Taipei for Treasure Tuesday

 

Sanxia Temple, renowned for its devotion to the Three Pure Ones—the primordial deities of Daoism—stands as a revered site of worship and cultural heritage. This historic temple, nestled in the heart of Sanxia, Taipei, is celebrated for its intricate craftsmanship and deep spiritual significance.

At the time of my visit, the temple’s front entrance was undergoing renovation, a testament to the ongoing efforts to preserve its architectural grandeur. Unfortunately, my time was limited, preventing me from fully capturing its beauty through photography. Nevertheless, I was able to take a few frames, offering a glimpse into this sacred and storied sanctuary.

Sony A7RV

FE 20-70mm f4 G

Linking Treasure Tuesday

On my first day handling referrals within the community, I encountered six so-called urgent cases—none of which were true medical emergencies. Rather, the urgency stemmed from the desire to annul the legal autonomy of elderly nursing home residents, enabling their children to access their bank accounts and real estate. It was a stark reminder of the grotesque realities I have so often witnessed in the geriatric care industry. Genuine concern from family members is, more often than not, absent. Almost every elderly resident I spoke with shared the same lament: "I have not seen any of my grandchildren in years." Loneliness and isolation weigh heavily upon them all.

Late Cherry Blossom at Tian Yuan Temple in Taipei for Sunday Best

 

After an arduous and fatiguing journey home, I was able to secure only two hours of sleep in total. The upcoming weekend will require significant adjustment before I officially resume work.

February marks the season of cherry blossoms in Taiwan, with the Yoshino cherry (Prunus yedoensis) blooming slightly later. This exquisite variety, characterised by its pale pink petals that fade to white, is renowned for its delicate beauty and ephemeral nature, symbolising both renewal and the fleeting passage of time.

My visit to Wuji Tianyuan Temple in Tamsui, Taipei, was primarily to witness this floral spectacle. This revered temple, known for its magnificent five-story pagoda and serene atmosphere, becomes a favored destination during cherry blossom season. The harmonious blend of traditional architecture and cascading blooms transforms the temple grounds into an ethereal landscape, drawing visitors seeking both spiritual solace and natural splendor.

Sony A7RV

FE 20-70mm f4 G

Linking Sunday Best

Lung Shan Temple, Taipei, Taiwan for Treasure Tuesday

 

Lungshan Temple, one of Taipei's most venerated and historic sanctuaries, still bears the vestiges of the recent Lantern Festival, with vibrant lanterns swaying gently in the breeze even as spring advances. Founded in 1738 during the Qing Dynasty by settlers from Fujian, this sacred site has long stood as a testament to the resilience and devotion of the local people, having endured earthquakes, fires, and even wartime bombardments.

In my younger days, I often wandered these hallowed grounds, capturing candid images of life unfolding amid the temple's intricate carvings and incense-laden air. These excursions were frequently shared with my friend Darren, a Canadian who, like me, found himself drawn time and again to the timeless atmosphere of Lungshan Temple. Together, we sought to preserve fleeting moments through the lens, amidst a setting where history, faith, and community converge.

Sony A7RV

FE 20-70mm f4 G

Linking Treasure Tuesday

Heavenly Queen Temple, Footscray for Treasure Tuesday

 

The Heavenly Queen Temple suffered damage during the flood two years prior. When we visited, the majority of the structures were still under construction. Situated on the bend of the Yarra River, just near the border of Melbourne City, the temple remains secluded from the surrounding urban environment.

Joel, desiring to sample the Pho in Footscray, selected this destination for us to explore with our prime lenses.

Sony A7RV

Laowa 9mm f5.6 

Linking Treasure Tuesday 

Long Shan Temple Lantern Sign for Sign2

 

Long Shan Temple sign is so cultural 

Sony A7RV

FE 14mm f1.8 GM

Linking to Tom's Sign2

Cherry Blossom in Kyoto, Japan

 

I just missed the cherry blossoms. 

Ninnaji Temple

Crowd is crazy

Taichi Sign - Sign2 event

 

Years ago, I visited the original site for Taichi Martial Arts. Chan family is one of the four fathers of this "hard" stream of Taichi. 

Fujifilm X Pro2 

16-55mm f2.8 

This is linking Tom's Sign2 Wednesday

Yun Yang Temple

From G9

Hase-dera temple Japan

Very beautiful cherry blossum in a "floral temple"

Emblem in Temple, Yarraville, Melbourne

The colour turned out very vividly. The place seemed very enriched with energy. The atmosphere was something mood lifting after entering into the place. As if the burden of the day was cleansed.

Taken by Pentax Fa 43mm ltd

Prayer

How often do we pray and we dont know we are being wishful thinking or just plain stupid?

After seeing some prayers at Rong Shang Temple, some faiths have their places in some people's hearts.

Buddha

Taken by Nokton 58mm f1.4

Tao Temple Ceiling

Temple via fish eye view

This is a high contrast image out of Voigtlander 12mm f5.6 which has that dramatic effect of wide perspective. The two people included in the image were my old photography pals. The image is a little desaturated to enhance that feeling of aged old look.

ONE in four Victorians think driving 10km over the speed limit in a 100km zone is socially acceptable.